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Sizzlin Hot

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Official re-issue of Bermudian disco record! 1000 copies initial pressing.In 1981, Bermudian band Paradise recorded ‘Sizzlin’ Hot’, a flawless album of original material in the disco, boogie and AOR style.Producer, writer and pianist Grant Williams formed several bands before becoming the fourth member of Paradise, alongside bassist Wincy Woolridge, drummer Ronnie Lopes and singer June Ventzos - whose voice commands the album. For five years, the group regularly performed in hotels before hitting the local Z.B.M. Studios to record their sole album.‘Sizzlin Hot’ is inspired by the sound of Earth, Wind & Fire. The album delivers several blistering tracks that could have been huge club anthems if the record had been promoted outside of Bermuda.Since Bermuda is a fairly remote island, it’s no wonder that Paradise remains virtually unknown to this day. It is all the more reason why this album stands-out and has universal appeal… though it was only ever intended as a “local thing”, as Grant Williams says.

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FRB 004

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33.00
Tracklist: 

Side 1
1. Sizzlin Hot
2. It Would Be Done
3. Showin You The Way
4. You Are Me
Side 2
1. Let Love Take Us For A Ride
2. Changes
3. Shout It
4. I Came To Dance

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Local Honey

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A collection of improvisations and loops from a 2 hour session @ the studio compiled into a limited edition beat tape....much love. Limited edition.

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WMR 009

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20.00
Tracklist: 

Side 1
1. Local Honey
2. Da Don
3. Nectar
Side 2
1. Andrew Spice
2. Coconut Water
3. Alta Negras

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Non
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Original
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Fast Forward

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Music From Memory return with their penultimate EP of 2017, this time with four tracks drawn from Virgil ‘Vincent’ Work Jnr’s little-known cassette only debut from 1987, ‘Fast Forward’. Following on from a previous compilation of works taken from one of Virgil’s collaborative projects as the duo ‘Workdub’, this album under simply ‘Vincent’, reflects a more stripped back and raw musical approach from the St. Louis musician.Experimenting with rhythm programming, midi, layering, sequencing, digital effects and sound synthesis the ‘Fast Forward’ sessions grew out of a series of late night jams with Vincent’s brother Scott who was then living in Kansas. With nothing planned in advance and no written music involved in the final recording sessions, the songs that would form ‘Fast Forward’ very much evolved out of improvisation lending a unique often spatial and searching quality to the tracks.Virgil’s equipment at the time very much lead the experimentation with the album being produced on a Yamaha DX7 Synthesizer, Korg DW-8000 Synthesizer, Yamaha RX-15 Drum Machine, Korg SQD-1 Sequencer and a sequential TOM Drum machine. As Virgil himself explains the title of the album in fact came about because it felt “as if I had fast forwarded to a different sound”.Bedroom produced, the Fast Forward album had an initial run of only 100 copies, of which none were commercially available and were simply sent to friends and family along with a handful mailed out to local radio stations in his hometown of St Louis. Although the album received a good response from local radio DJs and music magazines, the album sadly never gained enough momentum or demand for a further run of copies.Fast forward to 2017, exactly thirty years are their production, and Music From Memory are delighted to be able to finally make Vincent’s music commercially available again."

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MFM 024

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18.00
Tracklist: 

Side 1
1. The New Age
2. Don't Wait
Side 2
1. Be Easy
2. Morning Love

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Say You Love Me

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Say You Love Me wasn’t “Om” Alec Khaoli’s first solo recording but the 1985 EP solidified the bass player and songwriter’s standing as one of South Africa’s most consistently innovative pop auteurs. He built a career on ubiquitous rock, pop and soul hits with groundbreaking bands like the Beaters, Harari and Umoja. But Khaoli’s seemingly endless fountain of music continued outside these ensembles, where he usually played bass and contributed songwriting and vocals.Khaoli released several successful solo works while he made records with Umoja and worked on other productions with friends. This creativity was aided by Khaoli’s own recording studio. He was the first South African to have a privately-owned studio. As black artists were forced to record during lunch breaks and didn’t get sufficient access and time in the white-owned studios, having his studio allowed Khaoli to develop in his own way. Hence his productive output during the 80’s and early 90’s, releasing 5 LPs with Umoja and 5 solo LPs, along with numerous singles and EPs.There’s something broad and dynamic about the almost epic pop sound Khaoli creates on Say You Love Me. Being the first South African to take control his recording process and thereby free himself from one of apartheid’s many strictures, he took his vision of music to new realms and made timeless music for the dance floor in the process.

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ATFA 026LP

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22.00
Tracklist: 

Side 1
1. Say You Love Me
2. Make Me Your Lover
Side 2
1. Crosslines
2. Enjoy It

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Inye

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Deluxe LPAfro funk and Political Soul from Togo.Recorded in the beginning of the 80's and self-produced by Itadi in 1983 , this obscure album contained deep soul and controversial rare grooves backed by the 5 band members called the “Afro Funk Band de Lomé”.Itadi's music is unique, in his second album, he kept the same recipe: a mixture of soul, reggae, hi-life and Funk, with heavy lyrics which sounds like slogans and caused him big trouble after its release. He was obliged to escape the country to USA. A real definition of a revolutionary musician!This deluxe LP contains also two unreleased tracks, interview, and photos and was fully licensed with his family.Remastered by Frank Merritt at Carvery Studio.

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HC 52

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22.00
Tracklist: 

Side 1
1. Inye
2. Hustle
3. Ye Ye Ye
Side 2
1. Africa Is Hot
2. Why? Why?
3. Agamimi
4. Inye (7" version)

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Clockwork Wizards

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Limited Edition, Numbered, 300 copiesDeluxe heavy cardboard old school Tip-On cover with glossy paper on front and mat on back.Credits insert printed on 160gr yellow paperOld school press kit photo insert printed on glossy photo paperHigh quality polylined black innersleeveshttps://www.youtube.com/watch?v=Fr2gvPQUkT8&t=7s

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SNDTRKS003

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30.00
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Side 1
1. Light Tunnel
2. Metamorphosis
3. Bad Dream
4. Angel Dust
5. The Crypt
6. Ghost Yard
7. Short-Circuit
8. Capricorn
9. Bubble Gum
Side 2
1. Acid Hazes
2. Strange Places
3. Cumulonimbus
4. Rusty Trombone
5. Sinister Practices
6. Clockwork Wizards
7. Astral Journey
8. Disgrace

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Non
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Original
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De Bonaberi À Douala

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40 years after the original release, Nanga boko Records is very proud to present you the official reissue of the first album from the Cameroonian musician Nkotti Francois and his band, « The Black Styl ».High quality remastered sound.Reissued by Armand de Preseau.Transfert, Restoration & Mastering : Baptiste Bataut at "Vrai Son"Sleeve Restoration and Inner Sleeve Design : Eazy-NiLinner Notes : Armand de Preseau & Guillaume Le ClercA very detailled biography in both English and French langages with exclusive pictures come with the record, for a better comprehension of the work of the musician.Each vinyl includes a voucher to download the album in a HD digital format for free.Available in LP vinyl record and HQ digital format.Approuved by the artist himself, 100 % legit, all 8 tracks are under exclusive license of Nanga Boko Records.Limited edition.A l’occasion des 40 ans de la date de sortie de l’album original, Nanga boko Records est fier de vous présenter la réédition officielle du premier album de l’artiste Camerounais Nkotti François et de son groupe, « Les Black Styl ».L’ensemble des morceaux de l’album a été soigneusement re-masterisé, dans le souci d’apporter aux auditeurs un son de très haute qualité.Réédité par Armand de PreseauTransfert, Restoration des pistes d'origine & Mastering : Baptiste Bataut at "Vrai Son"Restoration de la Pochette et Création du Livret : Eazy-NiBiographie et Notes du Livret : Armand de Preseau & Guillaume Le ClercUne biographie détaillée de l’artiste en anglais et en français ainsi que des photos inédites du groupe accompagnent le disque, pour une plus grande compréhension et appréciation de l’œuvre du musicien.Chaque disque vinyle est accompagné d’une carte de téléchargement permettant de télécharger l’album en haute qualité audio.Disponible au format vinyle 33 tours et en téléchargement en haute qualité audio !Réédition approuvée par l’artiste lui-même !Edition limitée.L’ensemble des 8 titres de l’album est sous la licence exclusive de Nanga boko Records.

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NBK 001

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25.00
Tracklist: 

Side 1
1. Ndola Njomba Bodi Mba Da Monjo Na Mbundo
2. O Mende Wele
3. O Ma Dia Mba Nuwe Nola
4. Loko La Mboa
Side 2
1. Natiki O Mundi Nwa Bato
2. Bikwae Bigam Bima Nuse
3. Bino Senga
4. Muboledi

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Musica Para El Fin De Los Cantos

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Recorded in Barcelona between 1989 & 1990. Thanks to Nhat-Vu Dang.Special thanks to Hyades Arts Records. All texts on insert and sleeve taken from the "Mudos como piece" collection of poems by Iury Lech.Iury Lech is a transdisciplinary artist of Ukrainian origin part of the few pioneers in the Spanish electronic and digital audio-visual scene that began to develop during the 80's.His open and unclassifiable style made of eerie sonic atmospheres, arrhythmic structures and dense textures create hypnotic ambiance and a new way to conceive experimentalism.Wrongly described as New Age music at that time, "Musica para el fin de los cantos" is a stunning and deeply emotive ambient work, that stares down at the eternal enigma, giving a glimpse of Iury Lech's classical music of the future. Iury recorded this blissful masterpiece in his Barcelona's studio in 1989. It was then published in 1990 by the unique Spanish label Hyades Arts.It's 2017 and it's time to unearth this magical piece of vibrating chords to please your sensitive yet hungry ears. Sit back and enjoy the meditative state.

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CDALP 002

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27.00
Tracklist: 

Side 1
1. Cuando Rocio Dispara Sus Flechas
2. Barreras
3. De La Melancolía
Side 2
1. Ukraïna
2. Posmeridiano

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Non
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Escalator

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180 gram Vinyl, Gatefold Sleeve reissue of the classic 1969 album featuring Motorhead's Lemmy. Packaged with their previously unreleased 7" single 'Horse/Back Door Man' as listed in Record Collector, Plus a free Download Code.Sam Gopal took up the tabla in Malaysia at the age of 7, before coming to study music in Britain in 1962. By the mid 1960’s, Indian music was exerting a huge influence on Western rock, most notably on the Beatles (with Indian influences all over ‘Revolver’ and ‘Sergeant Pepper’), but also on the Rolling Stones (exemplified by Brian Jones playing sitar on ‘Paint It, Black’) and the Moody Blues, for whom Justin Hayward played tabla and sitar on the ‘In Search Of The Lost Chord’ album.The time was right for a genuine exponent of Indian music to come to the fore. Sam Gopal put together his first group, ‘Sam Gopal’s Dream’ in 1966. They quickly became a feature of the psychedelic scene, playing at the 14 Hour Technicolour Dream at Alexandra Palace in 1967 and sharing stages with such giants as Pink Floyd, the Move and Jimi Hendrix. Indeed, Jimi jammed with them during a gig at the Speakeasy in January 1968. However, whilst successful live, the band went unrecorded, and disbanded shortly after, only to be reconstituted under the ‘Sam Gopal’ moniker, Sam being joined by Roger D’Elia on guitar, Phil Duke on bass and most famously, ex Jimi Hendrix roadie Ian ‘Lemmy’ Willis on vocals and guitar. Signed to the short-lived Stable label, songs for an album were quickly written, most of them by Lemmy, and the album was released in March 1969, beautifully packaged in a gatefold sleeve.Something of a classic of psychedelic acid rock, complete with fuzzed guitars, but rooted by its Eastern percussion, the album included one cover, a rocked up version of Donovan’s ‘Season Of The Witch’, whilst a projected single release included a version of Willie Dixon’s ‘Back Door Man’, which managed to be even heavier than the interpretation by the Doors on their first album, released two years earlier.‘You’re Alone Now’, one of the Lemmy-written songs on the album, became quietly influential, acting not only as a forerunner of Hawkwind’s seminal ‘The Watcher’, but having an intro that brings to mind Black Sabbath’s 1970 smash ‘Paranoid’.The album ends with undoubtedly the gentlest song of Lemmy’s career, the rather lovely ‘Yesterlove’, which has Lemmy’s vocal floating gently over a backing of tabla and acoustic guitar.Sadly, despite apparently having all the ingredients in place for success, this incarnation of ‘Sam Gopal’ proved to be no longer-lived than ‘Sam Gopal’s Dream’, and broke up not long after the release of this album

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BT 5012

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33.00
Tracklist: 

Side 1
1. Cold Embrace
2. The Dark Lord
3. The Sky Is Burning
4. You're Alone Now
5. Grass
6. It's Only Love
Side 2
1. Escalator
2. Angry Faces
3. Midsummer Nights Dream
4. Season Of The Witch
5. Yesterlove
Side 3
1. Horse
Side 4
1. Back Door Man

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Mulatu Of Ethiopia

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Strut present the first official reissue of a landmark album in the field of African music , Mulatu Astatke’s ‘Mulatu Of Ethiopia’ from 1972. Recorded in New York , the album arrived at a time when Astatke had begun to master the delicate fusion of styles needed to create Ethio jazz. “I left the UK for America and studied at Berklee College in Boston. I learnt the technical aspects of jazz and gained a beautiful understanding of many different types of music. That’s where I got my tools. Berklee really shook me up.”Journeying regularly to the Big Apple to play and watch live shows at the Cheetah , the Palladium and the Village Gate, Astatke met producer Gil Snapper on the circuit. “Gil was a nice and very interesting guy. He produced music and worked with all kinds of musicians.” The meeting would lead to a series of albums on Snapper’s Worthy label. The first , ‘Afro Latin Soul’ , documented Astatke’s new-found directions. “Mulatu has created a new sound , ” enthused Snapper on the album jacket. “He has taken the ancient five-tone scales of Asia and Africa and woven them into something unique and exciting, a mixture of three cultures , Ethiopian, Puerto Rican and American.”A second volume of ‘Afro Latin Soul’ followed before Astatke began to hone his sound further , infusing funk and cultural influences into the mix. Returning to a downtown Manhattan studio with Snapper and working with some of the city’s top young jazz and latin session players, ‘Mulatu Of Ethiopia’ began to take shape. “We rehearsed for 3-4 weeks” remembers Astatke. “it took them a while to get the right feeling in the music.” The resultant album represented the first fully formed document of Astatke’s trademark Ethio jazz sound. It features ‘Kulunmanqueleshi’, ‘Dewel’ , and ‘Kasalefku-Hulu’ , tracks that Mulatu would return to regularly on singles and in live shows , the Ethio-Latin workout ‘Chifara’ and the self-titled groover ‘Mulatu’ (“I wanted to make a track for... myself!”). This definitive reissue of the album comes in a limited edition 3LP 6-panel gatefold set featuring the stereo album master , a pre-mix mono master and a selection of outtakes from the sessions , giving the listener rare access to the DNA of the studio process. Also available are standard 1CD and 1LP formats. All formats feature a new interview with Mulatu Astatke and rare photos.- 3LP 6-PANEL GATEFOLD with DOWNLOAD CARD- First ever official reissue of Mulatu Astatke classic from 1972- Remastered by Carvery Cuts from original reel to reel tapes- Limited edition 3LP features unreleased mono version of album + exclusive out-takes from the studio sessions- All formats include rare photos and a new interview with Mulatu Astatke- All formats include full original Worthy Records artwork

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STRUT 129LPB

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38.00
Tracklist: 

Side 1
1. Mulatu
2. Mascaram Setaba
3. Dewel
Side 2
1. Kulunmanqueleshi
2. Kasalefkut-Hulu
3. Munaye
4. Chifara
Side 3
1. Mulatu (mono album mix)
2. Mascaram Setaba (mono album mix)
3. Dewel (mono album mix)
Side 4
1. Kulunmanqueleshi (mono album mix)
2. Kasalefkut-Hulu (mono album mix)
3. Munaye (mono album mix)
4. Chifara (mono album mix)
Side 5
1. Munaye (take 1)
2. Mascaram Sebata (take 1)
3. Mascaram Sebata (take 2)
4. Mascaram Sebata (take 3)
Side 6
1. Kulunmanqueleshi (take 1)
2. Kulunmanqueleshi (take 2)
3. Kulunmanqueleshi (take 4)
4. Kasalefkut-Hulu (take 1)
5. Kasalefkut-Hulu (take 2)

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Non
Origine: 
Original
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