SEALED

De Bonaberi À Douala

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40 years after the original release, Nanga boko Records is very proud to present you the official reissue of the first album from the Cameroonian musician Nkotti Francois and his band, « The Black Styl ».High quality remastered sound.Reissued by Armand de Preseau.Transfert, Restoration & Mastering : Baptiste Bataut at "Vrai Son"Sleeve Restoration and Inner Sleeve Design : Eazy-NiLinner Notes : Armand de Preseau & Guillaume Le ClercA very detailled biography in both English and French langages with exclusive pictures come with the record, for a better comprehension of the work of the musician.Each vinyl includes a voucher to download the album in a HD digital format for free.Available in LP vinyl record and HQ digital format.Approuved by the artist himself, 100 % legit, all 8 tracks are under exclusive license of Nanga Boko Records.Limited edition.A l’occasion des 40 ans de la date de sortie de l’album original, Nanga boko Records est fier de vous présenter la réédition officielle du premier album de l’artiste Camerounais Nkotti François et de son groupe, « Les Black Styl ».L’ensemble des morceaux de l’album a été soigneusement re-masterisé, dans le souci d’apporter aux auditeurs un son de très haute qualité.Réédité par Armand de PreseauTransfert, Restoration des pistes d'origine & Mastering : Baptiste Bataut at "Vrai Son"Restoration de la Pochette et Création du Livret : Eazy-NiBiographie et Notes du Livret : Armand de Preseau & Guillaume Le ClercUne biographie détaillée de l’artiste en anglais et en français ainsi que des photos inédites du groupe accompagnent le disque, pour une plus grande compréhension et appréciation de l’œuvre du musicien.Chaque disque vinyle est accompagné d’une carte de téléchargement permettant de télécharger l’album en haute qualité audio.Disponible au format vinyle 33 tours et en téléchargement en haute qualité audio !Réédition approuvée par l’artiste lui-même !Edition limitée.L’ensemble des 8 titres de l’album est sous la licence exclusive de Nanga boko Records.

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NBK 001

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25.00
Tracklist: 

Side 1
1. Ndola Njomba Bodi Mba Da Monjo Na Mbundo
2. O Mende Wele
3. O Ma Dia Mba Nuwe Nola
4. Loko La Mboa
Side 2
1. Natiki O Mundi Nwa Bato
2. Bikwae Bigam Bima Nuse
3. Bino Senga
4. Muboledi

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Musica Para El Fin De Los Cantos

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Recorded in Barcelona between 1989 & 1990. Thanks to Nhat-Vu Dang.Special thanks to Hyades Arts Records. All texts on insert and sleeve taken from the "Mudos como piece" collection of poems by Iury Lech.Iury Lech is a transdisciplinary artist of Ukrainian origin part of the few pioneers in the Spanish electronic and digital audio-visual scene that began to develop during the 80's.His open and unclassifiable style made of eerie sonic atmospheres, arrhythmic structures and dense textures create hypnotic ambiance and a new way to conceive experimentalism.Wrongly described as New Age music at that time, "Musica para el fin de los cantos" is a stunning and deeply emotive ambient work, that stares down at the eternal enigma, giving a glimpse of Iury Lech's classical music of the future. Iury recorded this blissful masterpiece in his Barcelona's studio in 1989. It was then published in 1990 by the unique Spanish label Hyades Arts.It's 2017 and it's time to unearth this magical piece of vibrating chords to please your sensitive yet hungry ears. Sit back and enjoy the meditative state.

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CDALP 002

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27.00
Tracklist: 

Side 1
1. Cuando Rocio Dispara Sus Flechas
2. Barreras
3. De La Melancolía
Side 2
1. Ukraïna
2. Posmeridiano

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Escalator

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180 gram Vinyl, Gatefold Sleeve reissue of the classic 1969 album featuring Motorhead's Lemmy. Packaged with their previously unreleased 7" single 'Horse/Back Door Man' as listed in Record Collector, Plus a free Download Code.Sam Gopal took up the tabla in Malaysia at the age of 7, before coming to study music in Britain in 1962. By the mid 1960’s, Indian music was exerting a huge influence on Western rock, most notably on the Beatles (with Indian influences all over ‘Revolver’ and ‘Sergeant Pepper’), but also on the Rolling Stones (exemplified by Brian Jones playing sitar on ‘Paint It, Black’) and the Moody Blues, for whom Justin Hayward played tabla and sitar on the ‘In Search Of The Lost Chord’ album.The time was right for a genuine exponent of Indian music to come to the fore. Sam Gopal put together his first group, ‘Sam Gopal’s Dream’ in 1966. They quickly became a feature of the psychedelic scene, playing at the 14 Hour Technicolour Dream at Alexandra Palace in 1967 and sharing stages with such giants as Pink Floyd, the Move and Jimi Hendrix. Indeed, Jimi jammed with them during a gig at the Speakeasy in January 1968. However, whilst successful live, the band went unrecorded, and disbanded shortly after, only to be reconstituted under the ‘Sam Gopal’ moniker, Sam being joined by Roger D’Elia on guitar, Phil Duke on bass and most famously, ex Jimi Hendrix roadie Ian ‘Lemmy’ Willis on vocals and guitar. Signed to the short-lived Stable label, songs for an album were quickly written, most of them by Lemmy, and the album was released in March 1969, beautifully packaged in a gatefold sleeve.Something of a classic of psychedelic acid rock, complete with fuzzed guitars, but rooted by its Eastern percussion, the album included one cover, a rocked up version of Donovan’s ‘Season Of The Witch’, whilst a projected single release included a version of Willie Dixon’s ‘Back Door Man’, which managed to be even heavier than the interpretation by the Doors on their first album, released two years earlier.‘You’re Alone Now’, one of the Lemmy-written songs on the album, became quietly influential, acting not only as a forerunner of Hawkwind’s seminal ‘The Watcher’, but having an intro that brings to mind Black Sabbath’s 1970 smash ‘Paranoid’.The album ends with undoubtedly the gentlest song of Lemmy’s career, the rather lovely ‘Yesterlove’, which has Lemmy’s vocal floating gently over a backing of tabla and acoustic guitar.Sadly, despite apparently having all the ingredients in place for success, this incarnation of ‘Sam Gopal’ proved to be no longer-lived than ‘Sam Gopal’s Dream’, and broke up not long after the release of this album

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BT 5012

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33.00
Tracklist: 

Side 1
1. Cold Embrace
2. The Dark Lord
3. The Sky Is Burning
4. You're Alone Now
5. Grass
6. It's Only Love
Side 2
1. Escalator
2. Angry Faces
3. Midsummer Nights Dream
4. Season Of The Witch
5. Yesterlove
Side 3
1. Horse
Side 4
1. Back Door Man

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Mulatu Of Ethiopia

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Strut present the first official reissue of a landmark album in the field of African music , Mulatu Astatke’s ‘Mulatu Of Ethiopia’ from 1972. Recorded in New York , the album arrived at a time when Astatke had begun to master the delicate fusion of styles needed to create Ethio jazz. “I left the UK for America and studied at Berklee College in Boston. I learnt the technical aspects of jazz and gained a beautiful understanding of many different types of music. That’s where I got my tools. Berklee really shook me up.”Journeying regularly to the Big Apple to play and watch live shows at the Cheetah , the Palladium and the Village Gate, Astatke met producer Gil Snapper on the circuit. “Gil was a nice and very interesting guy. He produced music and worked with all kinds of musicians.” The meeting would lead to a series of albums on Snapper’s Worthy label. The first , ‘Afro Latin Soul’ , documented Astatke’s new-found directions. “Mulatu has created a new sound , ” enthused Snapper on the album jacket. “He has taken the ancient five-tone scales of Asia and Africa and woven them into something unique and exciting, a mixture of three cultures , Ethiopian, Puerto Rican and American.”A second volume of ‘Afro Latin Soul’ followed before Astatke began to hone his sound further , infusing funk and cultural influences into the mix. Returning to a downtown Manhattan studio with Snapper and working with some of the city’s top young jazz and latin session players, ‘Mulatu Of Ethiopia’ began to take shape. “We rehearsed for 3-4 weeks” remembers Astatke. “it took them a while to get the right feeling in the music.” The resultant album represented the first fully formed document of Astatke’s trademark Ethio jazz sound. It features ‘Kulunmanqueleshi’, ‘Dewel’ , and ‘Kasalefku-Hulu’ , tracks that Mulatu would return to regularly on singles and in live shows , the Ethio-Latin workout ‘Chifara’ and the self-titled groover ‘Mulatu’ (“I wanted to make a track for... myself!”). This definitive reissue of the album comes in a limited edition 3LP 6-panel gatefold set featuring the stereo album master , a pre-mix mono master and a selection of outtakes from the sessions , giving the listener rare access to the DNA of the studio process. Also available are standard 1CD and 1LP formats. All formats feature a new interview with Mulatu Astatke and rare photos.- 3LP 6-PANEL GATEFOLD with DOWNLOAD CARD- First ever official reissue of Mulatu Astatke classic from 1972- Remastered by Carvery Cuts from original reel to reel tapes- Limited edition 3LP features unreleased mono version of album + exclusive out-takes from the studio sessions- All formats include rare photos and a new interview with Mulatu Astatke- All formats include full original Worthy Records artwork

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STRUT 129LPB

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38.00
Tracklist: 

Side 1
1. Mulatu
2. Mascaram Setaba
3. Dewel
Side 2
1. Kulunmanqueleshi
2. Kasalefkut-Hulu
3. Munaye
4. Chifara
Side 3
1. Mulatu (mono album mix)
2. Mascaram Setaba (mono album mix)
3. Dewel (mono album mix)
Side 4
1. Kulunmanqueleshi (mono album mix)
2. Kasalefkut-Hulu (mono album mix)
3. Munaye (mono album mix)
4. Chifara (mono album mix)
Side 5
1. Munaye (take 1)
2. Mascaram Sebata (take 1)
3. Mascaram Sebata (take 2)
4. Mascaram Sebata (take 3)
Side 6
1. Kulunmanqueleshi (take 1)
2. Kulunmanqueleshi (take 2)
3. Kulunmanqueleshi (take 4)
4. Kasalefkut-Hulu (take 1)
5. Kasalefkut-Hulu (take 2)

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Original
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Oté Maloya - The Birth Of Electric Maloya On Reunion Island 1975-1986

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Strut present a brand new compilation documenting the groundbreaking maloya scene on Réunion Island from the mid-‘70s, as Western instrumentation joined traditional Malagasy, African and Indian acoustic instruments to spark a whole era of new fusions and creativity. Compiled by Réunionese DJ duo La Basse Tropicale, ‘Oté Maloya’ follows up last year’s acclaimed ‘Soul Sok Séga’ release on Strut.Traditional maloya, originally called “séga”, described the songs, music and dances of slaves on the sugar plantations of Réunion Island in the 17th Century – maloya ceremonies paid tribute to ancestors and mediated between the living and the dead. The music and culture began to be more widely accepted by Réunionese society from the 1930s as folklorist Georges Fourcade began to play maloya songs. By the ‘50s, maloya tracks were appearing on 78rpm releases and, in the ‘60s, it was used as a form of cultural protest music.In the mid-‘70s, a new generation began exploring new directions in the music, using Créole language, many were self-taught and learned their craft in 1960s dance band “orchestres”. André Chan-Kam-Shu’s Studio Royal in the south of the island became the main hub for experimentation and collaboration. Most notably, the band Caméléon honed their sound here – with maloya legends Alain Peters and vocalist Hervé Imare involved, Caméléon became the leading collective on the scene, using poetic lyrics and creating their own potent fusion of maloya, jazz and psychedelia. ‘Oté Maloya’ tells the story of this fertile period in Réunion Island music for the first time and features the full spectrum of maloya styles. From Caméléon’s genius to the teenage Michou’s classic ‘Maloya Ton Tisane’, Daniel Sandié’s breakbeat sleeper ‘Défoule 3e Age’ and more traditional styles from Maxime Lahope and Pierrot Vidot, this is an essential trip through a lost era of Indian Ocean blues and soul. ‘Oté Maloya’ is released with an extensive booklet on CD and LP featuring a history of maloya by Nathalie Valentine Legros of 7 Lames Lamer. All tracks are fully remastered by The Carvery.- 12” INSERT BOOKLET 12pp - First ever international compilation of 1970s maloya scene on Réunion Island- Includes extensive sleeve notes tracing the history of the culture across four centuries- DJ support from Gilles Peterson, Lauren Laverne, Mr Scruff and more- Essential follow up to Strut compilation ‘Soul Sok Séga’

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STRUT 151LP

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35.00
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Side 1
1. Cameleon - La Rosee Si Feuilles Songes
2. Michou - Maloya Ton Tisane
3. Jean Claude Viadere - Moin La Pas Fait Tout Sel
4. Daniel Sandie - Defoule 3e Age
5. Cormoran Group - P'tit Femme Mon Gate
Side 2
1. Marie Helen Et Ses Creol's - Sega Le Sport
2. Francoise Guimbert - Tantine Zaza
3. Vivi - Toe Meme Maloya
4. Pierrot Vidot - Commandeur
5. Herve Imare - Mele-Mele Pas Toue P'tit Pierre
Side 3
1. Groupe Dago - Reveil Creole
2. Ti Fock - Se Pi Bodie
3. Gaby Et Les Soul Men - C'est Le Meme Cadence
4. Vivi - Mi Bord' A Toe
5. Maxime Lahope - Sous Pied D'Camelias
Side 4
1. Gilberte - Serre Serre Pas
2. Gaby Et Les Soul Men - Oh Maloya
3. Herve Imare - Mi Donne A Toue Grand Coeur
4. Carrousel - Ote Maloya

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Non
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Original
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Young & Restless

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The LP and CD are the first reissues of this album from 1976. The LP is re-issued in its original format due to demand that has driven the value of the pressing on All Platinum to in excess of £400. The CD is the first issue here in this format and comes complete with two preceding singles and a post album release of the 12" mix of "My Man Is On His Way" in 1978, the only 12” release on all Platinum. This makes the CD the complete collection of Retta Young songs including her UK Top 40 chart hit “(Sending Out An) S.O.S. which appeals to both northern soul and disco audiences. The complete album is a gem for connoisseurs of quality modern soul from the 70s.

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EXLPM 61

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30.00
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Side 1
1. Really Really
2. Now Or Never
3. Just Look Into His Eyes
4. We're So In Love
5. I Love My Jim
Side 2
1. My Love Is On His Way
2. That's How Some Men Are
3. Our Way Of Loving
4. Let's Make Up For Lost Time

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Non
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Cookies & Cream 4

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After a 3 year break Shuko & F. Of Audiotreats are finally back with a new Cookies & Cream Edition. This is the Soundtrack for your summer jams, pool sessions and late night rides. A full length Album full with good vibes by the producers behind a lot tunes from acts like Talib Kweli, Big Pooh of Little Brothers, Kev Brown, B-Real of Cypress Hill, C.L. Smooth, Evidence, Fashawn and more. Cookies & Cream 4 is the first release on Shuko's own music label „For the love of it“ and the start for a lot upcoming jams this year.

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FTLOI 001

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20.00
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Side 1
1. Intro (feat DJ GQ)
2. Eighties Babies
3. Coca Cabana
4. Still Rock Steady
5. Lit & Relaxe
6. Get Your Sound (RAW)
7. Diggin In The Crates
8. Interlude Intheloop
Side 2
1. Guide Me Over
2. I Know Them
3. Is The Way We Rock
4. On & On
5. Ding Dong
6. If The Beat Is Fat
7. Night Rides
8. Outro

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HazyMoods

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DJ Harrison is Richmond VA-based producer and multi-instrumentalist Devonne Harris.The son of a radio DJ who introduced him to the world of record collecting, Harris grew up with music, progressing from violin, to high school drum-line, to the Jazz Studies program at Virginia Commonwealth University. He also continued working with other instruments and developed an interest in sampling. His development as a producer – at first, without a computer or sampler – came first learning to replay samples on the drums, piano, bass or guitar.DJ Harrison finds himself inspired by local musicians in the Richmond scene that’s as diverse and nonexclusive as they come. Among rappers, producers, punks and bluegrass bands, he falls within reach of an expansive pool of musicians to collaborate with. He lives and works in Jellowstone, a house turned recording compound occupied by his band mates in Butcher Brown, a “garage punk jazz funk” group.HazyMoods, DJ Harrison’s Stones Throw debut, was recorded there completely on tape, where the living room functions as a communal recording studio.

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STH 2386

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27.00
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Side 1
1. PainoJazz
2. PartyLife
3. ClavCrunch
4. CandleLit
5. JazzHaze
6. RidinSpokes
7. ProcessFresh
Side 2
1. RollSkate
2. KalimbaTale
3. Drunk808
4. BedSong
5. BonusLevel
6. GameRestart
7. SpaceModulator

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Non
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Original
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Kickinit Alone

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Californian keyboardist & beatmaker Kiefer (birthname Kiefer Shackelford) drops his debut LP. Catch Kiefer crushing the stage NOW in the touring Mndsgn LIVE trio (Ringgo, Swarvy, Kiefer).

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LR 118LP

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28.00
Tracklist: 

Side 1
1. Tubesocks (XXL)
2. Evil Eye (XXL)
3. 5000 Dollar Check (Tall)
4. Butterfly Inside My House
5. Ghosted
6. IDK
Side 2
1. U R What U Repeatedly Do
2. Happysad Sunday
3. Most Beautiful Grl (Irreg)
4. In Pursuit Of U
5. Reinvent Yo Self
6. Kickinit Alone

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Non
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Original
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Dazzle

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Finally on CD and reissue LP for the first time in Europe/USA comers the iconic 1979 disco boogie album by New York studio group Dazzle. It was produced by legends Stan Lucas and Leroy Burgess for Patrick Adams Productions and is considered a masterpiece.Vocals are largely by Jocelyn Brown (of “Somebody Else’s Guy” notoriety) with a combo of live instruments, strings and synths by top players of the day, and the CD issue of this album comes complete with a liner note from Leroy Burgess himself plus a bonus track of the 7” release at the time.“Reaching” and “You Dazzle Me” were considered highlights, strings and horns arranged by Patrick Adams throughout. Leroy Burgess would go on to make classic boogie records through the 80s. The original LP currently exchanges hand for huge amounts!

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EXLPM 60

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30.00
Tracklist: 

Side 1
1. Walk Before You Run
2. It's Not The Same
3. All
Side 2
1. You Dazzle Me!!!
2. Reaching
3. Slipped Disco

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Non
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Non
Origine: 
Re-Issue
Newsletter: 
Non
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