SEALED

Maskeraad

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PPU's debut compilation from our favorite femme, Maryn E. Coote. Previously released material featured on PPU-061 with her son Uku Kuut, "Suggestive" gave us access to the endless trove of studio recordings, out-takes, demos, and new material from the estonian-swedish singer/songwriter. Maryn is dedicating this album to her son Uku, who has been living with A.L.S. for several years now. The sale of this album will directy support his care, and support further research on the disease.

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PPU 082

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20.00
Tracklist: 

Side 1
1. Dreamboy (Reserva 9th version)
2. I Don't Have To Cry
3. Emotion (First English Tune)
4. Dream A Little Dream (feat Jonnyboy)
5. Living Love (demo)
Side 2
1. Wild Men (video version)
2. Maskeraad (instrumental Commercial Beat)
3. One Who Care
4. New Day (Added A Guitar)
5. Dreamboy (1st version)

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Criola

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An mini LP of works by Denis Mpunga and Paul K. Combining elements of traditional African music with experimental electronics, the Belgian/Congolese duo released only a handful of tracks, scattered across a few rare LP and cassette compilations that were put out in the mid eighties by obscure european labels . This release also includes a few previously unreleased songs that were found on the original master tapes. 180gram pressing. Artwork by Denis Mpunga.The work of the Belgian/Congolese duo Denis Mpunga and Paul K. is the subject of Music From Memory's latest compilation EP, ''Criola''. Combining elements of traditional African music with experimental electronics, the pair recorded and released only a handful of tracks, scattered across a few obscure LP and cassette compilations. Bringing together this material for the first time ''Criola'' includes both released as well as unreleased material from the musician's archives dating from between 1980-1984.Relocating with his family from the Congo to Belgium in 1973 at the young age of 13, Denis Mpunga grew up in the industrial city of Liege and quickly became deeply embedded in it's musical scene, forming the group Gomma Percussions in 1979; a percussive group driven by West African influences that would also experiment with found objects and improvised musical instruments. The group released only one 7' but toured and performed frequently up until as late as 2000. A side project Eko-Kuango formed by the Gomma Percussion members also saw the release in 1985 of the now much sought after 12'' ''Fura'' which also includes Denis Mpunga on vocals.As well as a later career as a comedian and actor with roles in television and cinema, Dennis has continued to produce and compose music, perhaps most notably writing the soundtrack for ''La Promesse'' (1996) a highly regarded film by the Dardenne brothers; currently probably Belgium�s most celebrated of contemporary film makers.Patrick Stas who would release with Denis under the �Paul K.� moniker was a well-known local musician in Liege and considered something of a luminary figure in the electronic and experimental music scene in Belgium. Patrick would set up the independent cassette and vinyl label ''Home Produkt'' releasing amongst others, the work of Tara Cross, who has herself been the subject of a compilation in recent years.Both well known figures in Liege's music scene the two of them would join forces in 1980 to work together on a soundtrack for a children's animation company called ''CAMERA etc'', recording the ''Intermezzo'' tracks which are included here. Keen to experiment further as a duo, Denis would propose the idea of combining some more traditional songs or percussive African elements with Patrick's experiments with drum computers and synthesisers. Working around more conventional instruments such as guitar and bass, Denis would also bring Balafons, Senzas and a Zither to their recordings whilst Patrick would work with an array of synthesizers and drum machines such as Roland�s MC 202, TB 303 & TR 808 and Korg�s MS20 & Monopoly amongst many others.At a time when world-music was becoming hugely popular across Europe especially so in Belgium and France, the pair were keen to try and explore African music in a new contemporary way. Much like the intentionally provocative archival image, which Denis selected for the sleeve of Criola, the recordings set out to play with and challenge preconceptions and expectations of African music and African culture. Together, Denis Mpunga and Paul K's, if somewhat brief, musical adventure would create a fascinating new musical language, African music born out of an industrial European landscape; music which the compilation ''Criola'' reveals as both wholly unique and visionary.

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MFM 019

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12.00
Tracklist: 

Side 1
1. Intermezzo III
2. Criola
3. Intermezzo II
4. !!! KWE
Side 2
1. Dou-Niya
2. Intermezzo I
3. Funyaka
4. What
5. Veronika

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I'm An Arabian Knight

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Melbourne`s Left Ear have polished a lost, late `80s, Antipodean, Electro Soul gem. It`s creation no doubt inspired by the music of L.A.`s Egyptian Lover and the genre-defining output of New York`s Tommy Boy. However, the gear used, the sparse mix, the Eastern keys in the detail, and its erotic intent, make it sound more like Chris & Cosey backing a would-be Michael Jackson.

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LER 1007

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20.00
Tracklist: 

Side 1
1. I'm An Arabian Knight (extended Funky Arabian mix)
Side 2
1. I'm An Arabian Knight (instrumental)
2. I'm An Arabian Knight (extended Funky mix)

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Non
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Re-Issue
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Toca Antonio Carlos Jobim

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Following the recent reissue of Jose Mauro’s Obnoxius, Far Out Recordings presents the second release in the treasure trove of the Quartin catalogue, Victor Assis Brasil Plays Jobim.Over the course of the 60s, Roberto Quartin released more than 20 albums in Brazil on his label Forma, by artists including the likes of Eumir Deodato, Quarteto Em Cy, Baden Powell and Vinicius De Moraës. Selling the rights of Forma to Polygram in 1969, Quartin struck out for pastures new at the dawn of the 1970s with the launch of his self-titled label. Significant works and high-water marks for Brazilian music overall followed in that decade’s first year, with Victor Assis Brasil Plays Antonio Carlos Jobim and the aforementioned Obnoxious. These singular gems in Brazilian music, difficult to categorise yet compellingly haunting, have for too long gone unheard.Unlike Jose Mauro, whose biography is almost completely shrouded in mystery, Victor Assis Brasil’s tragically short life is a better known story. He passed away aged just thirty-five, but by this point his status was already cemented as one of Brazil’s top players. Gifted his first saxophone by his aunt at the age of fourteen, his debut LP was recorded just four years later, alongside some mercurial greats of Brazilian jazz, Tenorio Jr and Edson Lobo. Following the release of his first two albums, Victor was granted a place to study at Berklee College of Music, and it was during this period he recorded toca antonio carlos jobim upon returning to Brazil in the summer of 1970. At a time in Brazil when the smooth n’ easy groove of the bossa beat no longer reflected the inflamed politics of a nation under the cosh of military dictatorship, Victor Assis Brasil morphed Jobim’s soothing originals into raw, deep jazz cuts, with the help of Brazilian legends Edison Lobo, Helio Delmiro and Edison Machado. The album’s influences spans both American continents, finding a meeting point for Latin jazz and North American post-bop, with Roberto Quartin’s perfectionist approach to sound elevating the already incandescent music to divine new heights.Like all Far Out reissues, the album has been remastered from the original tapes, and pressed to high quality heavyweight vinyl. A second Victor Assis Brasil release Esperanto will appear later in the series, alongside another Jose Mauro release A Viagem Des Horas and Piri’s long forgotten gem Vocês Querem Mate?

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FARO 195LP

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32.00
Tracklist: 

Side 1
1. So Tinha De Ser Com Voce
2. Wave
Side 2
1. Bonita
2. Dindi

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Non
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Re-Issue
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Rainworks

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Following last year’s compilation of archival recordings by Suso Saiz titled ’Odisea’, Music From Memory are thrilled to mark their 20th release to date with an album of new works by the Spanish electronic music pioneer. Recorded in Madrid between January and February 2016, this is Suso Saiz’s first release of new music in nearly 10 years.Titled ‘Rainworks’ this double LP release was originally part of a commission from a Canary Islands water company. The first ideas for the compositions developed from a documentary that Suso had seen suggesting the possibility of water molecules having their own ‘memory’. As Suso himself explains, he became fascinated with the “possibility of an eternal being, changing its cyclical condition from solid to gaseous state, travelling through and between the Earth and the Sky, as a witness and keeper of the true history of Earth and Mankind”.Suso, his son Emil Saiz and pianist Raph Killhertz set out to explore this metaphysical process of cyclical movement through music in ‘Rainworks’. Developing from the original commissioned tracks into a much more elaborate project, the album’s process became something of a mystical journey, drawing on aspects of minimalism and modernism. The music is also embedded in textured natural soundscapes and spoken word passages which were recorded and processed by Suso himself.Despite having the immediacy of an improvised piece, ‘Rainworks’ was in entirely composed by Suso. Whilst on one hand it appears very much as an electronic album there are in fact many acoustic elements to the recording. A resonant piano (a grand piano re-amplified using its resonant box and harp to generate effects) as well as guitars (with simple effects) are played in Suso’s inimitable hypnotic way, slowly drawing the listener into a transportive state or lucid dream.

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MFM 020

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28.00
Tracklist: 

Side 1
1. From Memory & The Sky
Side 2
1. The Way Of The Water
2. The Hiding Place
Side 3
1. They Don't Love Each Other
2. Nothing Ends
Side 4
1. A Rainy Afternoon

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Non
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Original
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The Garden

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Including a free download card and a poster

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23434

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25.00
Tracklist: 

Side 1
1. The Garden
2. You
3. Waiting
4. Make Your Own Choice
5. All Right
Side 2
1. Rather Be Lonely
2. Wonderwhy
3. All We Ever Have
4. Addiction Days
5. Trigger Happy

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Original
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High Desert Low Tide

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Clutchy and Fatty....High desert crunch meets city life punch for this collaborative project in sound. Instrumental elements of soul, jazz, hip-hop, rock and more resonate throughout the record. Just what any Clutchy Hopkins or Fat Albert Einstein fan would ask for, track after track of laced up loveliness.These two gents pair banging rhythms with lush melodies and top them off with their signiture low brow high fi sound. Guaranteed for some straight nasty.Acoustic and electric instrumentation set the tone and in their individual stlyes, Clutchy and Fatty navigate your journey through psych folk caverns of cactus dust and marine layer funk with bloodshot rust. It is distinctive, original and fresh, paying homage to the past, present and future.Visionary folk funk.

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ATLP 001

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32.00
Tracklist: 

Side 1
1. Mojave Dervish
2. Stutter Steps
3. Zero G's
4. Another Hardest One
5. Juju Beans
6. Nightshade
Side 2
1. Nyack
2. Lock Pop
3. Pre Vintage
4. Double Dribble
5. The Wash
6. Cholla Ballad

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Non
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Original
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Paz Are Back

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BBE present the cult classic Paz Are Back from Brtish Jazz collective Paz.Recorded during the summer of 1980 and originally released in 1982 on Spotlight Records, 'PAZ are Back' was the second (and arguably the finest) album by the London jazz collective, founded by vibraphonist, composer and arranger Dick Crouch. Known for their original jazz-funk and latin stylings, the band held a weekly Sunday residency at The Kensington pub in Holland Park for over 8 years, becoming a fixture at many London venues throughout the 70's and 80's, most notably Ronnie Scott's.For PAZ, band leader Dick Crouch assembled a group of the finest jazz musicians working in London at the time. Piano, keyboard and synth player Geoff Castle was a mainstay of the band throughout the years, as well as playing and recording with George Coleman, Ian Dury & Georgie Fame to name but a few. He also composed the highly original and energetic track 'Moonchild', featured on this album.Sax and flute player Ray Warleigh enjoyed a successful three decade career (sadly, he passed away in 2015), playing alongside Dusty Springfield, Marianne Faithfull, Scott Walker and Stevie Wonder as well as 9 years with PAZ. The full breadth of his musical dexterity is on display here, from the gritty alto sax solos featured on 'Laying Eggs' to his eerie home-made panpipes on 'Horrors'.Guitarist Ed Speight also worked extensively with Ian Dury and the Blockheads, as well as performing 'Tubular Bells' with Mike Oldfield on the QEH and BBC2. Now an Associate of the Royal Academy of Music, Ed taught guitar and keyboard harmony between 1988 and 2010. Bass player Ron Mathewson is best known for his years spent working with Ronnie Scott, but he also recorded with Stan Getz, Joe Henderson, Ben Webster and Bill Evans (to whom the stunning 'I Can't Remember' is dedicated). His absence on one album track is noted in its title 'Where is Ron?', so called because he realised the song required no bassline (as the original liner notes stated: "this awareness of when not to play is part of his genius").Appearing with the band for the first time on 'PAZ are Back', drummer Frank Gibson was perhaps better known for accompanying Leo Sayer, David Essex and Dusty Springfield, although jazz was always his first love. Following his time in the UK and touring the world, Frank returned to his native New Zealand, where he won three 'Best Jazz Album' awards and performed at the 1990 Commonwealth Games opening ceremony.Capturing a group of prodigiously talented musicians at the height of their powers, 'PAZ Are Back' features timeless original compositions from almost all the band members, as well as a unique cover of 'Everywhere Calypso' by Sonny Rollins and a truly frenetic, heavily improvised version of jazz standard 'Dancing In The Dark'. A band who remained steadfastly resistant to being pigeonholed, incorporating a multitude of influences before 'fusion' became fashionable, PAZ's music stands the test of time magnificently, as evidenced by the staggering demand for original copies of this album.Remastered and packaged with the original artwork, BBE are excited to make the magic of PAZ available to a new generation of fans.– Album tracks sampled by Madlib & DJ Vadim among others– Copies of the original fetching 3 figure sums on Discogs– Featuring a group of London's all-time finest jazz musicians at the height of their powers– Full press , radio & social media campaign

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BBE 398ALP

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15.00
Tracklist: 

Side 1
1. Laying Eggs
2. Horrors
3. AC/DC
4. Where Is Ron?
Side 2
1. Moonchild
2. I Can't Remember
3. Iron Works
4. The Everywhere Calypso
5. Dancing In The Dark

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Non
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Re-Issue
Newsletter: 
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Always There/Always There (Kon Remix)

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In 1978, famed Latin Jazz percussionist Willie Bobo released a promo-only 12” single featuring a “Special Disco Version” of “Always There”, a cut from his most recent album Hell of An Act To Follow. Pressed in extremely limited quantities and never available commercially, this 12” quickly became a highly sought-after rarity for DJs and collectors. Now, this lost treasure is back in print while supplies last, complete with an exclusive a new multitrack edit of “Always There” from DJ / crate-digger extraordinaire Kon (BBE / Soul Clap) on the B-side. Released in partnership with the Bobo family, this official pressing revisits a dance?oor-ready masterpiece.

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NSD 74

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22.00
Tracklist: 

Side 1
1. Always There
Side 2
1. Always There (Kon Kick The Bobo remix)

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Non
Origine: 
Original
Newsletter: 
Non
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Youaresurrounded

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HS 162

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24.00
Tracklist: 

Side 1
1. Ouaresurrounded (intro)
2. This Is Life (feat Rapper Big Pooh & Sly Johnson)
3. Boom Bap Love (feat Lisa Spada)
4. Leiho (feat Pumpkin & Sly Johnson)
Side 2
1. NT (feat Georgia Anne Muldrow)
2. Lost Art (feat Finale & Sly Johnson)
3. Danceonitifucan
Side 3
1. Ame Son (feat Tiemoko)
2. F___ It (feat Sly Johnson & Saga)
3. Raponitifucan
Side 4
1. Retrograde (Steven Beatberg Raw mixxx with Sly Johnson)
2. Run To The Sun (feat Elodie Rama - DBBSM remix)
3. La Dune Noire (with Dilouya)

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Non
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Non
Origine: 
Original
Newsletter: 
Non
Partager: 

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