SEALED

Love In Beats

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Omar has a totally unique, individual style and sound still marks him out as a future thinking and utterly unrivaled artist, who has collaborated with so many legendary names that it would be foolish to deny his worldwide reputation - who would dare contradict the likes of Stevie Wonder, Erykah Badu, Carleen Anderson, Angie Stone, Common and fellow fans and followers like Maxwell and Jarrod Lawson?Following on from 2013's album The Man, 2016 sees his new long player further cement this undeniable reputation. Love In Beats is Omars' 8th studio album of his long, illustrious career and may just be the most eclectic & varied to date. Somewhat more electronic in it's conception and sound than it's predecessor, Love In Beats incorporates soul, Caribbean rhythms, an undercurrent of funk, with touches of zouk, a jazzy waltz, spoken word and also features collaborations with Us soul legend Leon Ware, Blue Note pianist Robert Glasper, grime MC Ty, Guadeloupe born singer Jean-Michele Rotin, and Uk soultress Natasha Watts, The Floacist and Mayra Andrade, the Cape Verdean born singer who lives and records in Paris.Co produced by Scratch Professer, Omars Grammy winning brother,this collection should create excitement worldwide, the sounds are varied - but all have Omars' unique fingerprint on them, style and substance beautifully merged!

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FSRLP 117

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22.00
Tracklist: 

Side 1
1. Vicky's Tune (feat Ty & Robert Glasper)
2. Insatiable (feat Natasha Watts)
3. Gave My Heart/Its So Interlood
4. Feeds My Mind" (Feal Floacist)
5. De Ja Vu (feat Mayra Andrade)
Side 2
1. This Way That Way
2. Hold Me Closer
3. I Want It To Be
4. Doobie Doobie Doo
5. Grey Clouds

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Ceddo

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For our second release we brought back to life African movie soundtrack "Ceddo" - composed by one of our favourite African artists, Manu Dibango. 6 tracks full of Funk. With a great story behind.... now it's getting a full vinyl re-issue!"The film takes place during the 17th century : period of slave-trading and of the introduction of Christianity and Islam in West Africa. The adherents of these religions all desired and hoped to pack their buildings, mosques or churches,by whatever means necessary. Arms and alcohol began to appear, as well as shoddy godds --- gadgets from another era. Anyone with a rifle tracked down and trated men, women and children. Man became money. After having converted the royal family and government dignitaries, the Imam encounters the refusal of the "Ceddo". For the Ceddo, adhering to Islam or to Catholicism would mean renouncing African spiritualism, giving up being themselves. To accomplish his goals, the Imam usurps the throne with the complicity of the dignitaries --- similar to the coups d'Etat of our days. Combining spiritual and temporal power, the Imam reduces the recalcitrant to slavery in exchange for rifles. He obliges the others by force of arms to accept Islam. Ceddo is a film of reflexion, birnging together bits and pieces of facts and authentic events that took place in a period spanning the centuries up to the present day."

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ASVN 043

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24.00
Tracklist: 

Side 1
1. Ceddo
2. Les Cavaliers
3. Le Reve De Dior
Side 2
1. La Boisson
5. Marabout
6. Ceddo (Cenerique De Fin)

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Non
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Spiritual Jazz 7: Islam

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"Spiritual Jazz 7: Islam - Esoteric, Modal and Progressive Jazz inspired by Islam 1957 - 1988"Songs ancient and divine - the seventh volume of our acclaimed Spiritual Jazz series examines the influence and impact of Islam on four decades of jazz innovation.Through Malcolm X and Muhammad Ali, the civil rights era in America saw African American liberation politics famously associated with Islamic belief. This was not the first time that radical developments in African American cultural life had been widely and famously associated with Islam - that distinction belongs not to political or sporting giants, but to the progressive jazz musicians of the bebop generation. Kenny Clarke, Art Blakey, Sahib Shihab, Gigi Gryce, Idrees Sulieman, Ahmad Jamal, Yusef Lateef, all these legendary jazz pioneers - and countless more - were early converts to the spiritually charged Ahmadiyya school of Islam. Their faith profoundly influenced the music that they made, and the presence of prominent and innovative Muslim musicians at the heart of jazz culture in America has been recognised ever since.The tracks on this collection follow the story of Islam and jazz from the 1950s to the 1980s. Recorded by Muslim jazz musicians, they often draw specifically on Middle Eastern or Islamic music, dream of an esoteric or spiritual Afro-East, or invoke the landscape and sound worlds of Islamic Africa. Spiritual Jazz 7 presents a selection of visionary music – inspired by faith, powered by jazz.2LP gatefoldExtensive liner notes & picsCD with 24 page colour bookletMany tracks never before reissued

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JMANLP 092

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28.00
Tracklist: 

Side 1
1.Maurice McIntyre - Humility In The Light Of Creator
2. Ritual Trio - Africanos/Latinos
3. Emmanuel Abdul-Rahim - Kalahari Suite
Side 2
1. Creative Arts Ensemble - Uhuru
2. East New York Ensemble De Music - Mevlana
3. Idrees Sulieman - The Camel
Side 3
1. Yusef Lateef - Morning
2. Sabu & Sahib Shihab - Nus
3. Abdelrahman 'Abdo' Elkhatib/Solar Plexus - Ah Ya Zen
Side 4
1. The Lightmen - All Praises To Allah (part 1 & 2)
2. Ahmed Abdul-Malik - Nadusilma
3. Dawan Muhammad - Taumbu

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Non
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Original
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Antilles Cheries : Compa/Cadence

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Compilé par Emile Omar, une sélection tropical discoteq.

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FAN34646

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24.00
Tracklist: 

Side 1
1. Simon Juran - Si Bon Di Bon
2. Toto Necessite - Cail La Mande Rouse
3. Maxel's - En Las
Side 2
1. Experience 7 - Banzai
2. Coupe Cloue - Plein Caille
3. Gervais Nerva - Marchande
Side 3
1. Rodrigue Millien & Blagueur - Pale Creole
2. Black Affairs - La Vie Musique
Side 4
1. Vikings Martinique - Deposez Les Armes
2. Combo Creole - Kokoye
3. Belles Combo - Coeur A Moin
4. Selecta Martinique - Money First

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Non
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Original
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Disco Illusion

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This crew don't do things by half! Following the insanely nice Michael Boothman record a few months back - Invisible City Edition descend to even further depths and give us a fully re-mastered issue of this mythical treasure! BIG Limited Edition"For many this is the ultimate Disco Illusion; a record that should have been epoch making in its day, something that would have been a staple for David Mancuso, Larry Levan & Ron Hardy had it ever gotten distribution when it was originally released 34 years ago. Somehow time passed it by and it was only re-discovered in a warehouse in Trinidad last year. Since then it has been gaining momentum fast, with DJ support from Moodymann, MCDE, Floating Points & Kon, as well as original copies selling for four-digit sums. Part of the illusion is in the structure of the record. The A-side begins with beautiful, but relatively normal disco song, but suddenly an Egyptian sounding bridge turns the things inside out and the song opens up into a proto-house jam complete with bubbling Sun Ra synths and Black Ark tape delay action. The there’s the b-side, which sounds like Bob James after he had a taste of callaloo, with deep electronics and a mind-melting steel pan solo. Finally, thanks to Invisible City this record is getting the life it has always deserved. "

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ICE 004

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30.00
Tracklist: 

Side 1
1. Disco Illusion
Side 2
1. Lypso Illusion

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Non
Origine: 
Re-Issue
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Time & Place

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Lee Moses was a huge talent and if he’d had the big hit album he richly deserved, Time And Place would’ve been it. A self-taught multi instrumentalist, Moses cut his teeth in the clubs of Atlanta, the ‘Motown of the South’, where he frequently performed alongside his contemporary Gladys Knight (who reportedly wanted him for the Pips, but couldn’t pin him down).It was, however, in New York in the ‘60s that Moses made his greatest bid to find the solo fame he desired. Moses began working there as a session player, even playing frequently with a pre-fame Jimi Hendrix, but his close relationship with producer and Atlanta native Johnny Brantley eventually saw him getting his own break via a series of 45s in 1967 – most notably with covers of Joe Simon’s "My Adorable One", The Four Tops’ "Reach Out, I’ll Be There" and The Beatles’ "Day Tripper".It was 1971 before Moses’ dream of being at stage front was realized, when he released his Brantley-produced LP Time And Place for Maple Records. Recorded with a band including members of The Ohio Players and Moses’ own backing group The Deciples, it was, nonetheless, Moses himself whose star quality shone through, via his scratchy guitar riffs, his throat-ripping vocals and the stirring mood that permeates the LP’s heady mix of funk, soul and R&B.The LP did no business, and Moses’ dream quickly crumbled. Though details on his life are scarce, it’s believed he fled New York disenchanted with the music industry, feeling he’d been double-crossed by Brantley both in credit and remuneration for the countless records he’d played on. Back in Atlanta, Moses returned to playing the clubs, married twice, and fell into depression and drug dependency. He died in 1997 at the age of 56.Time And Place soon became a much-sought-after item for collectors, and its cult has continued to grow over the years. Here, we re-present it on deluxe vinyl, with brand new liner notes from Sarah Sweeney including interviews with Moses’ sister and his closest collaborator, the singer and guitarist Hermon Hitson. Through them, Moses becomes a little – but just a little – less of an enigma.

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FDR 630

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38.00
Tracklist: 

Side 1
1. Time & Place
2. Got That Will
3. What You Don't Want Me To Be
4. California Dreaming
5. Every Boy & Girl
Side 2
1. Hey Joe
2. Free At Last
3. Would You Give Up Everything
4. Adorable One

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Non
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Re-Issue
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Hop Dedik

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Years before Baris and even before the fame of Erkin Koray, Erol's flamboyant outfits and spontaneous behaviour brought a youthful, pop-oriented world to Turkish audiences.Here's his first proper album from 1976.While not exactly psychedelic, Erol's album shows how far the mix of Anatolian melodies and Western production could reach and you can find here some great examples of Turkish pop spiced with psych, disco and funk.

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PHS 040

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30.00
Tracklist: 

Side 1
1. Oldu Olacak
2. Dandini
3. Bile Bile Lades
4. Sen Mi O Mu
5. Öyle Mi Böyle Mi
6. Güz Şarkısı
Side 2
1. Şaka Maka Derken
2. Hop Dedik
3. Hep Sen Varsın
4. Civciv Çıkacak Kuş Çıkacak
5. Dedim Dedi
6. Sevgiye Tutsak

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Non
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Mogollar

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Makam madness gives way to instrumental prog on this burned-out last album, released in 1976, by Turkey's Anadolu Pop heroes.Mogollar was the band that never had a singer attached for long, and yet even more than Baris or Erkin, they consciously highlighted what was different about the new sounds of the era.Incredible fusion of ancient Anatolian melodies and instruments with prog/psych including ocassional piercing fuzz guitar. Recommended to anyone into John Berberian, Devil's Anvil and vintage Turkish psych.Remastered sound. Includes liner notes by Angela Sawyer.

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PHS 039

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30.00
Tracklist: 

Side 1
1. Kâtip Arzuhalim Yaz Yare Böyle
2. Bahçelere Geldi Bahar
3. Hicaz Mandıra
4. Üsküdara Giderken
5. Karşıki Yayla
Side 2
1. Yine Bir Gülnihal
2. Şehnaz Longa
3. Drama Köprüsü - Bolu Beyi
4. Çanakkale İçinde Aynalı Çarşı
5. Misket
6. Özüm Kaldı

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Non
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Les Nouvelles Musiques De Chambre Volume 2

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Following the reissue of the entire recorded output of South London-based experimental act This Heat and its successor, Camberwell Now, Modern Classics Recordings holds the lens up to a special split album created by one of the driving forces behind those groups – drummer Charles Hayward – in collaboration with Italian musician Gigi Masin, whose looping, rhythmic, electronic compositions have seen his cult following grow in his four decades as a recording artist.Originally released on Belgium’s Sub Rosa label in 1989, Les Nouvelles Musiques De Chambre Volume 2 is a split LP on which Masin’s eight tracks occupy side A and Charles Hayward’s long-form piece (at 21 minutes long), "Thames Water Authority”, occupies side B. Geography may have separated the two artists, who each recorded their pieces in isolation from the other, but there’s a commonality to their approach. Previously, Masin had released the inspired 1986 album Wind, while Hayward’s music had long been influenced by the landscape and society of London and the UK.For this album, the label challenged the two musicians to write about the waterways of their respective cities, Venice and London. For Masin, that meant describing the human interactions related to the Italian city’s famous landmarks. “Places, faces, memories... that’s what most of the people love to find when they travel to Venice – some kind of magic that’s deep in the city,” he writes in the new liner notes accompanying this new re-release.For Hayward, it meant describing the physicality of water, the “densities and energies” as he puts it, and the politics of it too. Writes Hayward: “Water was being privatized at the time, the profit margin had been factored in, cost-cutting was implicit, people were being poisoned. Water was a political thing; it still is.”

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MCR 923

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35.00
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Side 1
1. Gigi Masin - Waterland (Otto Prospettive Veneziane)
2. Gigi Masin - Clouds (Otto Prospettive Veneziane)
3. Gigi Masin - La Giara Di Gesturi (Otto Prospettive Veneziane)
4. Gigi Masin - Three Bridges (Otto Prospettive Veneziane)
5. Gigi Masin - The Song Of The Masked Men (Otto Prospettive Veneziane)
6. Gigi Masin - Underwords (Otto Prospettive Veneziane)
7. Gigi Masin - First Time Ruth Saw The Sea (Otto Prospettive Veneziane)
8. Gigi Masin - Goodbye Kisses (Otto Prospettive Veneziane)
Side 2
1. Charles Hayward - Thames Water Authority

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Non
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Marauding At Midnight: A Tribute To The Sounds Of A Tribe Called Quest

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WCCARLP 017

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18.00
Tracklist: 

Side 1
1. Midnight Marauders Tour Guide
2. Steve Biko (Stir It Up)
3. Award Tour
4. 8 Million Stories
5. Sucka Nigga
6. Midnight
7. We Can Get Down
Side 2
1. Electric Relaxation
2. Clap Your Hands
3. Oh My God
4. Keep It Rollin
5. The Chase (part II)
6. Lyrics To Go
7. God Lives Through

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Non
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Non
Origine: 
Original
Newsletter: 
Non
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