2017

Outstanding three track EP from the archives of Caliban (A side project of London musician Milton Myrie; a session guitar player who worked with cult UK buddhist afro and reggae band Ozo as well as on the much sought after Steel and Skin ‘Afro Punk Reggae’ 12”). Talk about bang for ye buck.. 1 side crucial oddball digital cuts, b side sounds like a UK jazz funk classic... Gold Print Sleeve. Caliban produced only one self-released 7” ‘Open Mind / Digital Reggae’ in 1984.Following the re-discovery of this very little known 7” by Caliban a few years back, UK producer Jackson Bailey aka Tapes managed to track Milton down, who as well as being in possession of most of the stock of the original record, was also sat on a number of amazing unreleased recordings from the Caliban sessions. With an album of unreleased Caliban material compiled by Tapes to follow later on Music From Memory, this EP introduces one of the unreleased tracks; the incredible feel good disco anthem “Supernatural”. Taking us on a glittering, rhythm charged rocket tour of the Funk Cosmos, this until-now-unheard future classic will surely set the summer nights alight.The three track 12” also includes “Digital Reggae” which featured on the original Caliban 7”. This computerised dancehall/funk hybrid was partially penned to address the lack of black culture included in the payload of the United States’ first space station; “Digital Reggae will be included in the Payload of Skylab!”. As well as the original mix, the EP also includes a new dub put together by Milton himself and assisted by riddim specialist Tapes!

A soundtrack for the contemporary 'Vinti' (defeated) with its dark and at the same time sparkling flavour of the '80s sounds. Between cold wave, synth pop and imaginary electronic atmospheres. This record with its horror-framed and dystopian scenario ("Slot Machine") reveals a content of social criticism healed through the warm and evocative indulgence of "Che Male C'e'. Courtesy of Naples based imprint Early Sounds Recordings.

Reissue from this soul/jazz-funk fusion album originally released in 1982 on Poet Records. 500 copy LTD edition!This sought-after album is an amazing and unique creative project produced and composed by David Eric Tillman including outstanding performances by some of the highest-level musicians whose common thread was their ability to kill up tempo and modal bop and excel in this jazz-funk/fusion style thanks to their up bop think quick knowledge.This gem contains nothing but brilliant tracks like “…Space…Rapture”, “Love Is How”, “New Anniversary Waltz”, “It Must Be E.S.P.” and “(Sing) A Simple Song Of Praise”. Incredible golden lead and backing vocals, a super tight rhythm section, forward thinking arrangements, and an amazing combination of piano, Rhodes and various remarkable synthesizers makes this recording timelessly fresh. The beautiful “Time Is Love”, a tune of positive outlook written during her jazz composition studies, is performed by the one and only Carmen. Killer from the beginning to the end, one of our all-time favorite soul/jazz-funk LPs.Drummer, percussionist, producer and composer Andrew Scott Potter started playing jazz with Malauwi, Fred Anderson and Bill Brimfield in 1968. In addition to his collaboration with David E. Tillman, he has also played with Minnie Riperton, Michael Wolff, Alex Foster, John Scofield, Chip Jackson, Walter Bishop Jr., and Marcus Miller.Pianist, vocalist, composer, producer and arranger David Eric Tillman, notably played with Dadisi Komolafe being featured on his highly sought after Hassan’s Walk LP. He also worked with Malauwi which is how he met Andrew Potter. Together they formed the Poet label and prior to this offering released the sublime “N.Y. To L.A.: Coasting” LP in 1980.Jazz vocalist and composer Carmen Lundy is one of today's most talented and respected jazz singers having performed and recorded with musicians such as Kenny Barron, Ray Barretto, Courtney Pine, Roy Hargrove, Ron Carter, and Robert Glasper. In Harlem NYC in the late 1970s she was also part of a group of emerging young musicians formed by Walter Bishop Jr. with Marcus Miller on bass, Mayra Casales on congas, Ricky Ford on sax, and Kenny Washington on drums who was later replaced by Andrew Potter. Potter fell in love with Carmen’s work and decided to include “Time Is Love” on this album.The rest of the band is no less a dream team: bass player, producer, arranger, composer & vocalist Brad Bobo who wrote & arranged for the Notations, Willie Williams, the Procedures and The Lost Family, also recorded with Eddie Harris, Wilton Felder, The Crusaders and Natalie Cole. Vocalist Lillian Tynes recorded with Donny Hathaway, D.J. Rogers, Norman Connors, Jean Carn and Bobby Womack. Adam Rudolph went on to play and record with Yusef Lateef & Pharoah Sanders. Gary Bias on sax, went on to play with Earth Wind and Fire.

San Francisco native and modern funk wiz Diamond Ortiz makes his first appearance on Austin Boogie Crew Records with "Goodies", a sweet and enticing 12" EP of quality jams! Coming off the buzz of his acclaimed "Loveline" LP, Diamond takes a slightly more chill but equally party-centric approach on Goodies. This is the first 12" release on ABC and it's fire from front to back!

"Letting It Rest" was originaly released in 1986 on the New York based Chapter 13 label. Frank Murillo played all the instruments and sings on this killer leftfield disco boogie cut with a heavy italo feel.. Frank Murillo was born in New York City and still lives and works there as a musician, producer and teacher. The multi-instrumentalist mentions Queen, David Bowie and Santana as his biggest musical influences. " Letting It Rest" was originaly released in 1986 on the New York based Chapter 13 label. Frank Murillo played all the instruments and sings on this killer leftfield disco boogie cut with a heavy italo feel.

His very last name, Dinleten, means 'listen'. So back to Anatolia once more and hear the unhinged guitar and electric baglama behind Turkish psychedelia's charismatic singer Ersen. He was discovered by Cem, was connected to Mogollar and 3 Hür-El, and even switched backing bands with Cem before finally hitting the charts with his own group Dadaslar. There's loads of B-sides and burly moves on these 70s singles which make his second LP, released in 1978. Wicked funk drums, fuzzy guitars,organs and the poweful voice of Ersen. Includes "Zalim", the killer psych-funk track made famous by the Gaslamp Killer's edit.

Debut album, released in 1977, by one by one of Anatolian Rock's most sheerly talented vocalists.Turkish psych-rock with some amazing funk drums and fuzzed out guitars. Ersen spent time in Mogollar, 3 Hür-El, and Cem Karaca's Kardaslar before cementing his reputation as the frontman of Dadaslar. His voice can range from one that has a soft edge (where he swallows his notes a bit, like a muezzin would), to growling belt-outs that could have fronted any 80s metal act.Ersen and his ever-changing backup band wore Slade haircuts and loud jackets with rainbow pants or silver platform shoes, and they grew their moustaches just as long as the Beatle bangs of their Western counterparts.Get the synth-wizz, funk breaks and fuzzed-out prog riffage behind one of Anatolian Rock's best vocalists!Original gatefold artwork, insert with liner notes by Angela Sawyer (Weirdo Records), remastered sound.