Brasil

Fenix

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With all the cosmic energy and masterful musicianship you’d expect from the three-man orchestra, Azymuth rise from the ashes! Continually pushing the boundaries of jazz, funk, electronic music and disco, as expressed through their signature samba swing, the Brazilian mavericks have recreated the energy of those seventies’ sessions which would launch them into international recognition and confirm their status as one of Brazil’s most successful bands.Since the passing of keyboard maestro Jose Roberto Bertrami in 2012, remaining members Ivan Conti and Alex Malheiros have worked tirelessly to keep the spirit of Azymuth alive, and to continue the legacy of Bertrami’s genius. But Fênix also marks a new era as the Azymuth trio is complete once again, by special guest keyboardist Kiko Continentino. A hugely talented pianist, composer and arranger, Kiko has worked with the likes of Milton Nascimento, Gilberto Gil and Djavan, and the fresh energy and inspiration he has brought to the group is undeniable. The album also features Brazilian percussion legend Robertinho Silva, one of Brazil’s most important and influential players.From the disco-carnival title track to sunny jazz-funk head-nodder Orange Clouds, through to the deep-space samba Corumbá, Azymuth have drawn upon five decades of consummate craftsmanship - which coupled with their endless desire for experimentation and improvisation - has resulted in a 10-track journey encapsulating the full spectrum of Azymuth’s brilliantly coloured expressionist fusion.

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FARO 194LP

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28.00
Tracklist: 

Side 1
1. Batucada Em Marte
2. Papa Samba
3. Neptunians (Short version)
4. Rio Doce
5. Corumba
Side 2
1. Fenix
2. Villa Mariana (De Tarde)
3. Orange Clouds
4. O Matagal

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Brasileira

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An original copy of the Brasileira LP by Brazilian singer Maria Rita Stumpf has been on top of collectors' and music lovers' wishlist for the past couple of years, since "Cântico Brasileiro No 3 (Kamaiurá)" broke out and cast a spell worldwide - from Japan to Brazil, from Norway to South Africa, everybody was flabbergasted after they first heard the song, and each and every time they heard it again. For the lucky ones that could listen to her whole album – and get to know other gems such as "Lamento Africano/Rictus" and "A Cidade"– it is clear that it is an ouvre that more people should have access to, not only an elite of listeners and connaisseurs.The good news are that the LP will be available again in its entirety in a new, glossy, loud and clear pressing released through Selva Discos, a new label run by Augusto Olivani and Millos Kaiser (the DJ/production duo known as Selvagem) in partnership with JD Twitch's Optimo Music. It's a legit reissue overviewed by Maria Rita Stumpf herself, the music being remastered from the remaining DAT tape of the original release and artwork faithfully updated by Brazilian design studio Colletivo, featuring liner notes by the singer/songwriter. Here’s an extract from Augusto Olivani’s and Millos Kaiser’s (the duo behind the DJ/production unity Selvagem and also Selva Discos) sleeve notes about the Brasileira LP reissue and the label’s launch“We were aware of the originality and rarity of this album since we put our hands on a copy of the Brasileira LP a few years ago, but it took time to learn that Maria Rita from ‘Kamaiurá’, the track that carried us away as soon as we first heard it, was the same Maria Rita with whom one of us knew since childhood. To reissue ‘Brasileira’ became a life mission. Also, it turned to be the seed that allowed Selva Discos to bloom.”And another extract, taken from Maria Rita’s recollection on the serendipity that triggered the this release -“Many years passed until I got a call from a close friend saying that his son, whom I had known since childhood, was my fan. I found it funny... I was slowly returning to music after years of directing Antares, a company I created and that brought thousands of artists to Brazil. He was a DJ who played my songs at the Selvagem parties and as he said, did not know that I was me, the same Maria Rita who worked with his father. This was a plot twist, a movie thing.”Maria Rita Stumpf is owner of Brazilian production company Antares Produções, responsible for bringing international artists to Brazil for the past 30 years, such as Philip Glass and Mikhail Baryshnikov. After distancing herself from the music business since the Brasileira original release, almost 30 years ago, she’s now back in the game.Augusto Olivani and Millos Kaiser have been working under the alias Selvagem for the past 5 years, standing by their monthly residencies in São Paulo and Rio de Janeiro, releasing edits and reworks for labels like Beats in Space, Disco Deviance and Disco Halal. Now they’re also behind the label Selva Discos, whose mission is to unearth and update exquisite, overlooked Brazilian music - not without the aid of JD Twitch from Optimo Music.The follow-up to this first release is a reworks 12" featuring a remake of "Cântico Brasileiro No 3 (Kamaiurá)" produced by Selvagem & Carrot Green (based on a new studio session with one of the original session musicians, Paulo Sergio dos Santos from Uakti) backed by a Joakim remix of "Lamento Africano/Rictus", to be released shortly after the Brasileira reissue.

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OMSD 001

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36.00
Tracklist: 

Side 1
1. Cantico Brasileiro No 3 (Kamaiura)
2. Felicidade
3. Cantico Brasileiro No 6 (Tempora)
4. Cancao Da Garoa
5. Lamento Africano/Rictus
Side 2
1. A Cidade
2. Cantico Brasileiro No 1
3. Relhacos
4. Trilhas
5. Melodia De Veludo
6. Cancao De Barco E De Olvido
7. O Amor

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Lei Do Amor

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Names You Can Trust teams up with spacey synth wiz Donatinho and his father, the legendary João Donato, to release an exclusive 7-inch single from the duo's fantastic new album, Sintetizamor. While the full-length is only available in Brazil, this crisp single, mastered especially for vinyl, will be reaching stores in the US and around the world this summer.Included are two cuts that set modern boogie funk fans alight when they leaked out online: "Lei Do Amor," with a sophisticated slinky groove that brings to mind a Brazilian Kashif, and the talkbox feature "Surreal," a knowing nod to Herbie Hancock's classic "I Thought It Was You" with all the hip touches the Rio de Janerio Donato duo do so effortlessly.The single comes housed in a custom screened NYCT company sleeve with a full color postcard reproduction of the album cover art, a spectacular image crafted by Allan Jefferson of D.C. Comics.

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NYCT 7035

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17.00
Tracklist: 

Side 1
1. Lei Do Amor
Side 2
1. Surreal

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Non
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Original
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Grito Selvagem

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Released in 1974, Téo Azevedo’s first album Grito Selvagem (“Wild Shout”) is an irresistible blend of soul and rock with an unmistakable Brazilian character.As many other lost gems of time past, the album found little commercial success, and still during the 70s Téo turned forever to the true Brazilian popular music – the forró, the roots of sertanejo and the rhythms and traditions of Brazil’s often forgotten countryside – becoming, from then on, a genuine cultural reference in Brazil not only as musician and composer, but also as a poet and researcher of popular folklore, being awarded the Grammy Latino prize in 2013.This career turn also contributed to push “Grito Selvagem” onto the dusty and forgetful shelves of time, until its rediscovery in recent years by DJs and record collectors. With lyrics reminiscent of the life in the city and the countryside, the album is one of Brazil’s forgotten treasures, with arrangements and production by Téo in partnership with maestro Daniel Salinas – producer / arranger very active in the Jovem Guarda movement, and known to collectors for his 1973 album Atlantis-, ten tracks which deliver the unmistakable groove you’ll only find in Brazilian records from the 70s. If you like Luiz Gonzaga, Tim Maia, Jackson do Pandeiro or Gilberto Gil, get ready to hear Téo Azevedo and his Grito Selvagem!

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ALT 004

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29.00
Tracklist: 

Side 1
1. Eu Tentei
2. Cego Aderaldo
3. Mane Joao
4. Assagumpero
5. Adeus Ceara
Side 2
1. O Novo De Hoje Ja E Velho Aqui
2. Va Pentear Macaco
3. Calangueando
4. O Eco Do Grito
5. Cantador

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Robson Jorge & Lincoln Olivetti

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MRBLP 148

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30.00
Tracklist: 

Side 1
1. Jorgeia Corisco
2. No Bom Sentido
3. Aleluia
4. Raton
5. Pret-A-Porter
6. Squash
Side 2
1. Eva
2. Fa Sustenido
3. Ze Piolho
4. Baila Comigo E Festa Braba
5. Ginga
6. Alegrias

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Índia

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Originally released in 1973.Gatefold LP with insert. Replica original artwork.

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MRBLP 149

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32.00
Tracklist: 

Side 1
1. India
2. Milho Verde
3. Presente Cotidiano
4. Volta
Side 2
1. Relance
2. Da Maior Importancia
3. Passarinho
4. Pontos De Luz
5. Desafinado

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Algo No Ar

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Official reissue of a brazilian funk beast released in 1978 - 500 copies pressed!

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PEPITE 04

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12.00
Tracklist: 

Side 1
1. Algo No Ar
Side 2
1. Algo No Ar (Steven J edit)

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Non
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Original
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Volume 1

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Dan Shake has been making a sterling name for himself as a DJ with many strings to his bow, and now he's launching an exciting new label with a focus on edits that reach into his bag of tricks and provide some genuinely intriguing alternatives to the usual rehashed disco fodder. On this first 12" there's a distinctly Latin theme, not least on "Celebration Suite" which launches into a bona fide party classic after a hailstorm of drumming and carnival whistles. "La Vem Salguiero" is equally boisterous, but there's also "Rico Suave Bossa Nova" to cool things down for those more loungey moments.

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SHAKETAPES 001

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14.00
Tracklist: 

Side 1
1. Celebration Suite (Dan Shake cut)
Side 2
1. La Vem Salgueiro (Dan Shake cut)
2. Rico Suave Bossa Nova (Dan Shake cut)

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Original
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Sambaiana

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Sambaiana the rare 1976 Bossa Nova classic from Candeias finally gets a proper reissue ! LP (180g vinyl + Old School Tip On Gatefold Cover + Download Card + Printed Inner Sleeve) .Curiously enough the story of this record begins with a song, which isn't even featured on it. A song named 'Guayabas'. One of Guillermo Reuter's very first free-spirited compositions is one of his two contributions to the fourth album 'Ese Dia Va A Llegar' by friend and musician Agustin Pereyra Lucena, in 1975. 'Guayabas' was the unintended starting signal for Reuter's career and was coincidentally the initial spark for this reissue that you, dear reader and listener, are holding in your hands right now.But perhaps we'd better take one thing at a time and not jump ahead of ourselves. 'Guayabas' was the Guillermo Reuter song that first caught the attention of the Notes On A Journey founders Jürgen von Knoblauch and Stefan Leisering. It led them to discover his album 'Candeias' shortly thereafter, and a love affair was born. It was a similar story for Jacques Subileau, the producer for the recordings of 'Ese Dia Va A Llegar' (and therefore 'Guayabas'), who was so enamored by this single composition that he proposed Reuter to cut a whole album, made up exclusively of his songs and compositional stylings. The Frenchman with an Argentinian girlfriend, had connections to European record labels like Disco Mediterraneo in Madrid and Disques Espérance in Paris which specialised in World and African music. 'Candeias' would be released on both labels, on the Spanish imprint under the name of 'Sambaiana', in France as the original title 'Candeias', but for inexplicable reasons, with terrible sound quality. For the 24-year-old musician, it came as a total surprise, the once-in-a-lifetime chance to record an entire album of his own works. Raised by parents, both of who were musicians and teachers with their own school (Instituto Reuter in Buenos Aires), Guillermo Reuter was destined to wander down one road for life - to follow in his father's footsteps, professionally and musically. Josef Reuter, born in Germany, balanced his work life where he was a dedicated occupation Headmaster with music, not only was he a passionate organist, he was the maestro of his own choir, the 'Singakademie Buenos Aires' and a well-known director at Buenos Aires’ world famous “Teatro Colón”. Furthermore, he was a strict and conservative father who massively disapproved when his son embraced modern music like Brazilian Bossa Nova, which back then, was just starting to take the world by storm. Despite, or as a direct result of this, 'Samba Da Minha Terra' by João Gilberto was a revelation for the juvenile Guillermo Reuter and shaped his freethinking approach towards music permanently.

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NOAJ 003

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30.00
Tracklist: 

Side 1
1. El Tren De Tom
2. Paolinho
3. Zimbao
4. Managua
Side 2
1. Sambaiana
2. Casas De Invierno
3. Palmeiras

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Non
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Re-Issue
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Encore

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he highly anticipated follow up to Arthur's eponymous debut album from 1972, Encore saw Arthur joining the dots over 35 years to create a modern classic of Brazilian music that, like his debut, combined Brazilian influences with his take on American soul and cinematic experimentation, and shows Arthur's sound is as poignant now as it ever was.

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FARO 122LPX

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20.00
Tracklist: 

Side 1
1. Bis
2. Caminho Da Roça
3. Dona Das Meninas
4. Eu Quero Paz
5. Abertura
Side 2
1. Tupa Tupi
2. Sucuri
3. Amor Na Contra Mao
4. Tudo De Bom
5. Filhos
6. Preludio

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Non
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Non
Origine: 
Original
Newsletter: 
Non
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