MINT

Record Kicks proudly pres. Juno Awards nominee Tanika Charles. Her debut album "Soul Run", produced among others by Slakah The Beatchild - best known for his works with Drake - will be released on Record Kicks next April the 7th.Already filed under "one of the heavy hitter of 2017" and anticipated by its first single, the title track "Soul Run" which is hitting the airwaves all around the globe, Soul Run is the debut album by Edmonton-raised Tanika Charles.The album produced among the others by Slakah The Beatchild (BBE Records), best known as a producer for his collaborations with Canadian rapper Drake, strikes a seamless balance between the warm authentic vintage Motown soul sound, yet contains a contemporary twist to it. A tricky thing to accomplish, however, Tanika has undeniably managed to achieve this, judging by the glowing reviews and support she's currently receiving from all around the globe, including a nomination at the 2017 Juno Awards (the Canadian Grammys) for best R&b/Soul album of year."The most buzzed-about Soul singer in Toronto" according to CBC network, in a few short years has transformed from an emerging solo artist to a commanding performer and bandleader, a staple in the Canadian soul scene, both on stage and off. Her touring career has seen her supporting the likes of Estelle, Haitus Kayote, Lauryn Hill and Macy Gray. Highly impressive, considering she is only just releasing her debut album to the world, after her low-key EP release, 'What! What? What!?', back in 2010.Growing up on a musical diet of Patti Labelle, Jill Scott, Bob James, Stevie Wonder, D'Angelo, Bjork and The Black Crows, Charles' eclectic music taste subconsciously shines through in 'Soul Run', an album's name that came from a tragic part of Tanika's life. Miss Charles presents an immutable charm, at times endearingly abrasive and honest in her vulnerabilities. If Tanika's singing it, she's lived it! Soul Run "is a post breakup album. It's not about a breakup as such, but about finding yourself after hitting the reset button", Charles makes clear. Tanika Charles put a modern, edgy twist on the classic Motown sound, resulting in an album that captures the ears and feet of anyone in a 5 mile radius. Fans of Sharon Jones, Lee Fields, Lauryn Hill and Macy Gray... watch out !!!

Nicole Willis & collaborator Jimi Tenor, (known solo artist) with electric bass player Jonathan Maron (Maxwell-Ascension, Norah Jones, etc).Disco EP or LP with old school Radio Edit, Original & Instumental versions of the two songs:Disco/Funk "Big Fantasy (For Me)"Disco Anthem "Tear It Down"

Record Store Day 2017 release.Limited to 1500 copies.Frank nitt and dankery harv - or just frank n dank - knew J. Dilla before you. But don't feel bad, they knew dilla before anyone knew dilla. When dilla was still in detroit, before he was known as J Dilla. Before he'd even stepped foot in LA. From their personal vault, frank n dank bring you these cuts from their years working with dilla, including complete instrumentals, presented in a 12" red vinyl pressing.

Record Store Day 2017 release. Recorded live in the studio by a band of touring musicians that played William Onyeabor's music over the previous few years. Artists on this album include Jamie Lidell, Alexis Taylor, Charles Lloyd, Money Mark, Pat Mahoney and Ahmed Gallab. Album sleeve opens up into a double sided 4-way poster (measuring approx. 24" x 24").

Modern Boogie Bangers! Computa Games drops its second vinyl release on New Orleans own Superjock Records. “Computer Rock (OG Mix)” is that feel good Funk with heavy bass, smooth synths and Vocoder vocals to top it off. The flipside, “Computer Rock (West Coast Mix)” gets a G-Funk treatment giving it that boom bap that you can rock to! Definitely a staple for the crates.

Limited edition 45 for Record Store Day, 2017.Cover by Jean Andre.Mayer Hawthorne and Jake One are Tuxedo. “Thank You” is a bonus track to their second album, Tuxedo II, which fnds them at the forefront of a new wave of gangster boogie - one that owes as much to G-funk as P-funk. This is the territory of pre- and post hydraulic low riders: a mélange of Cali boom-bap, analog synth bass and elegant disco that resonates truth and authenticity in an era where so many are faking the funk.