MINT

For the sixth release on People Must Jam, we headed to Poland to find two very special guys that make up Ptaki. 180g Vinyl - Strictly limited.Ptaki have been making ripples around the world for their unique approach to putting together a record or two and having just recently dropped their album Przelot those ripples have turned to waves. We are proud to announce their new record - Antypody that will possibly turn those waves tidal!Ptaki have delivered a wonderful varied EP with four different cuts.Kicking off with the crazy uptempo Hi-NRG disco cut Milosc after which the record moves into the more gorgeous Balearic territory of Termy. This blew us all away when we first heard it.On the flip Lotnik showcases some solid house roots before the EP ending on the porn sampling and rather brilliant Radio Roman.We are really stoked to have these boys on board for what we feel is going to be a very sought after record.

Mr Mendel's disco credentials have been growing steadily in stature over the last few years. Here the Dutch boogieman drops two killer jams for the Disco Deviance imprint.Both demonstrate his clean and tidy approach to editing which focuses on the quality of the original source material and a delicate desire to enhance and ease only the very best out of the music he loves so much. As such he owes much to his Chicago mentor and good friend Rahaan whose influence and sound can be detected in these reworks.This is of course a good thing. Enjoy the music! Mr Mendel does.

Initially started as an excuse for Eric Duncan and friends to release pitched-down reworks of suitably cosmic jams, the New York Edits series has taken on a life of its own over the last 18 months. No doubt this fifth installment will become as in-demand as the previous installments, thanks in no small part to the suitably chugging chop-up of David Keaton's stoner disco fave "Gloria" on the flip. The NY Edits version is, predictably, even more baked, working the killer, organ-laced, clavinet-heavy groove for longer before introducing Keaton's half-whispered vocal. The A-side is more in keeping with the smacked-out feel of the series, with grandiose analogue synthesizer lines riding a delay-laden blue-eyed soul groove. Serious sleaze.

Originally released on Fermata (Brazil) in 1970, this brilliant - incredibly lengthy titled - album contains incidental songs from three soap operas: 'Assim na Terra Como No Céu', 'Passo dos Ventos' and the most well known 'Irmãos Coragem'.The album contains elements not dissimilar to Incredible Bongo Band, Nico Gomez, classic Blaxploitation OST's and lost library gems. Originals are nigh on impossible to find and we are very proud to be able to reissue it, with replica original artwork and packaging, on Mr Bongo.This is the second Waltel Branco album we have released, the first was 'Meu Balanco', recorded in 1965, released in 1975.

FloFilz, connecting musical worlds on "Speakthru". FloFilz has been one of our favorite producers for a while. Heading from the small town Aachen in the far west of Germany he's been mastering the sound of sample based hip hop productions for some time now. At the same time he's a professional orchestral musician & violin player. Being limited to one type of music just ain't his thing.Over the course of the last couple of years he has gained a very strong following. Nearly 40.000 people are following his soundcloud channel & majestic.com has posted a handful of his productions.Speakthru, his first album on Jakarta Records, is a testament to the connective power of music. Transcending musical boundaries, Flo managed to bring together a wide range of MCs to feature on his tracks such as LA's own Blu and Co$$ up to Norway's Ivan Ave and London's Barney Artist, including a half-dozen of powerful instrumentals sprinkled in between."Basement Jazz" the first single off the album has been featured on a wide selection of blogs suchs as okayplayer.com, 2dopeboyz.com, egotripland.com, pigeonsandplanes.com, juice.de and many, many more.Look out for the video for "The Verb" feat. Barney Artist too which was recently shoot in London.https://soundcloud.com/jakarta-records/flofilz-basement-jazz-feat-blu

Bluestaeb is one of the key figures of the new generation of up and coming beat producers from Germany. Equally influenced by Pete Rock, J Dilla and Kaytranada, he shouldn't be labelled. Neither as "future" nor as "oldschool", since he maneuvers in between those sounds effortlessly. His production is an unusual display of versatility, ranging from classic BoomBap to synth to 808-based beats.The 24-year-old was born and raised in Berlin and started making his own music at a very young age. Ironically, a birthday present his dad received dragged him into producing instrumental HipHop: Madlib's "Shades Of Blue". Soon after, the entire catalogue by the L.A.-legend and naturally Dilla, too, had formed his idea of aesthetics and grooves. Aside, he spent years studying African drum techniques such as Djembé and Daruka. Gradually, he found his sound identity and began to release his music plus producing beats for various MCs, such as Juju Rogers or Teknical Development. After forming Oldschool Future Tribe collective alongside his mentor Figub Brazlevic and a group of international producers, he released his debut LP "1991 Extraterrestrial" in 2013. This year, he dropped his experimental EP "B.L.U.E. Friday", a song series featuring a broader scale of styles. On November 6th, Bluestaeb releases his sophomore album "Rodalquilar" via Jakarta Records, still carrying his distinctive concept of diversity. The work is dedicated to a Spanish village going by the same name, where Bluestaeb spent most of his summers since early childhood. In his parent's summer cottage, he was enabled to evolve and concentrate on his music, mostly influenced by surrounding nature and light. "Rodalquilar" LP aims to embrace this atmosphere by including sound drafts, samples and ideas collected throughout last summer's stay in Rodalquilar. The vinyl version comes with a photo booklet including the complementing visuals to the said journey that initially began in the mid 90s.

Tala AM (or Tala Andre Marie to give him his full and proper name) was born in Bandjoun in Cameroun in 1950. Talas life initially wasn't easy, he becomes blind at an early age and has lost both his mother and father by the age of 12. He then went on to make his first guitar by hand and form his first band "The Rock Boys" by the age of 17. Shortly after he meets the powerhouse of Camerounian music at the time Manu Dibango, a pivotal moment. With help, he re-locates to Paris and signs a contract with Fiesta Records. The first fruit of those labours is his debut album "Hot Koki".The lead track (and highlight of this compilation) is "Hot Koki" it is a powerhouse of funk guitar, soul and infectious afro rhythms. Fast forward to 1974 and the famous "Rumble In The Jungle" fight between Muhammad Ali and George Foreman. The story goes a little something like this... At an accompanying musical event we find James Brown and Tala AM. JB Hears Hot Koki and creates a remarkably similar sounding track "The Hustle" (check it out side by side if you have the time).Fast forward another 40 years. Time to take a look back on the funkier moments of Tala. This is not a "best of" Tala, that has already been done. Want to get into Tala's famous Tchamassi sound or do some "bend skin" beats... well check out the other compilations. Here at Africa Seven (and in this case) we are headed for destination funk. The musical topic inevitably leads us to the 70's and we borrow our super slick source material mainly from the albums Tala made for Fiesta Records from 1973 to 1978.We open up the bombastic brass, swinging basslines and all out groove of Hot Koki (well after a little intro ditty gem). Then its on to the one of the highlights of "Arabia" album "Black Gold". This track swoons groove. Layers of picked and choppy guitar and on point drumming. "Sugar Lump" is next which sticks to the formula of the previous track but adds in catchy vocals.Mining into the cave of delights that is the 1978 "Black Woman" album we then follow up with the driving afro beat grooves and stabby brass of "Gotam" and the boogie flowing grooves of "Black Woman" and the frenetic and driving grooves of "Ma Ka La". We round things off with the stabby clavi-funk of "Nom Te Ma" and the ultimate groovy funk-riff closer (and ear worm) Tcham Tcham.So there you some slices of pure funk from a master. Tala's role of awards and achievements is long and impressive (check his Wikipedia), Knight of Valour of Cameroun, SACEM awards and his opening of a music school in Douala... However.. we feel these musical masterpieces are right up there with his finest achievements.. A true man of music.

Rhythm & Soul is back on Organic Music for his second vinyl release.Right after his solid EP on Djebali, he serves another 3 groove infected tracks coming up with a wild remix from Diego Krause.