MINT

All good things come to an end, and The Very Polish Cut-Outs is no different. The fifth sampler will be the last in the much loved & long running series. For the farewell record, label boss Zambon has selected five unique reworks from top producers from Poland and beyond.Side A is aimed at the dancefloor. 'KIEDY BYLEM MALYM CHLOPCEM' was the biggest hit in the long career of Tadeusz Nalepa, the king of Polish blues. The irresistible, smooth guitar groove is combined with conscious lyrics about different views of what's important at different stages of life, served in the form of a conversation between father and son. Miod crew transform this beautiful song into peak-time killer, tailored exactly for the needs of a modern dancefloor.Moscow's man of the moment Beard In Dust edits 'BIALA SOWA, BIALA DAMA, BIALY KRUK' by Kram into a flawless disco funk bomb, fuelled by cheesy synth action. A slice of Eastern European B-Boy disco breaks.Side B brings more ethereal and psychedelic flavours to the table. 'NA KOLANA PASTUSZKOWIE' comes from Laboratorium, Poland's answer to Weather Report. Their unique take on fusion is remixed here by Daniel Drumz, one of the heroes of Polish hiphop & beat scene. This longtime turntablist leaves his rap roots and travels to the psychedelic coast to bring you an amazing piece of Baltic Beat.Last two tracks are chopped and looped by Australian hero Carpentaria in a truly Balearic fashion. 'ZA OSTATNI GROSZ' by Budka Suflera charms the listener with dripping pianos and a misty, endless soft rock groove (with added swirling synths played here by Brennan Green himself), while ZACZAROWNE MIASTO by Kombi is a dark, cinematic piece of slow synth pop.It may be the end, but The Very Polish Cut-Outs finishes off in fine style.

Limited to 300 copies. LISTEN : https://www.youtube.com/watch?v=7yAfrlzJTMk#t=240

Moniquea’s “A Certain Way,” as first heard on her “Yes No Maybe” album on MoFunk Records, has been remixed by some of the heavyweights in the modern and future funk scenes - Teeko, known for his intergalactic funk expeditions with partner B. Bravo on Starship Connection, and XL Middleton (with Eddy Funkster), who was responsible for the production of the original version. Teeko’s remix molds the original into an even more upbeat incarnation, riding the line between funk and soulful house, maintaining a deep, thumping rhythm with spaced out chords and leads sitting on top. The XL Middleton + Eddy Funkster remix goes in another direction, creating an electrofunk vibe akin to that of legends such as Egyptian Lover, melding fierce 808 drums and sparse synth work with dubbed out slices of Moniquea’s original vocal performance.

Produced by Philadelphia's Legendary Sonny Hopson, Santiago is Indeed Neftali Santiago from Mandrill who took a break from the band in 1975 and did a little experimenting, this came out of a 6 hour sessions in which 3 tracks were recording, two being on this 45 and is Santiago's only lead vocal to date . The band lasted a year in that time supporting Gil Scott Heron and The Ohio Players live. A two sided disco stormer with all the right ingredients, great guitar hook, solid horn section and great vocal.Essential Disco

Two tracks one from each Rim & Kasa recent albums out in latter part of 2015 on BBE get the official edit treatment from Mukatsuku that have never been out before as official singles.