2015

New 7" single from forthcoming Body Rock LP ! full analog production/mixing by Kamal Humphrey / Class-A Discreet Analog Mastering by Bob Lanzner

Lynn Williams may not be someone you have heard of but her pedigree is strong. Her father was Hank Ballard (of King and James Brown Fame) and her mother was 60s Miami Radio Personality and dance group leader Vanilla ''Miss Boom Boom'' Williams. Lynn cut 5 Excellent 7"s for various Henry Stone owned Miami labels in the 70s here we present her two most collectable. The first 'It Takes Two' is a smokey deepfunk killer that would cost you £1000 any day of the week for good reason. On the flip "Don't be Surprised" is one of Miami's best ever deep soul records period, a dark serious ballad pulled off with amazing emotion considering her young years at the time of recording.- One of Miami Rarest Deepfunk 45s.- Original sells for over £1000- Daugher of Hank Ballard, of James Brown and King Fame

Pursuing their explorations in the vast corridors of international Funk and Disco music, Favorite Recordings and Bruno « Patchworks » Hovart present us Voilaaa. With this first single composed of 2 tracks that clearly reveal the Afro-Disco inspiration of this new experience, Favorite also expands its new series of Disco 12inch singles recently launched with several fine reissues, but this time with one of its special homemade production recipe.Under the imprint of the label and after their long years of collaboration in the achievement of projects such as The Dynamics, Mr President, Mr Day, Patchworks Galactic Project, or Taggy Matcher, the insatiable French producer therefore returns to his first love and specialty, Disco music, staring this time at the African and Caribbean influences.Indeed, as everywhere in the 70s and 80s, Funk and Disco movements were extremely influential in these regions, as it’s been very well highlighted by some specialized labels for years with multiple reissues. France and its African and Caribbean communities, was no exception and was also nurturing many productions of the genre. In most cases, the combination of the festive, yet sometime futile nature of Disco, and the instinctive, deep, sometimes rough nature of African music, sounds like a perfect balance.Aiming to find back this energy and specific sound, Patchworks quickly began producing a few tracks; Using his unique and ruling beats and bass lines as foundations, this time he dresses all with guitars, keyboards and brass distorted with vintage and DIY effects pedals and boxes. A field game dustier and less flamboyant than the traditional and flashy Disco’ codes, but perfectly suited for Patchworks, who seems at the top of his game and to have fun like crazy facing this new challenge.With a very dynamic music scene around him in Lyon, where there is no shortage of artists with African origins, he decided to surround himself with singers from the region, even if it means to accompany them on unusual musical paths. A more than successful bet with a result surprising of authenticity, as it’s unveiled by these first two titles alongside Sir John and Pat Kalla, both from a musical background as rich than different.With an album planned for the end of the year, that promises to be as explosive and magnetic, Patchworks and Favorite Recordings make a strike again and confirm them a little more if needed, as the true warrant of the modern dancefloors’ loyalty, to the spirit of their mythical ancestors … Voilaaa tout (Thaaat’s all)!!

Following the success of "Seventy Seven", Gerald Bonnegrace returns with another super-immersive journey into jazz and Afro tickled roots. Taking off where the last album left us, our focus is squared plainly on the authenticity of the sound, production and arrangement. From the Bob James' motif right at the end of "Once Upon A Time" to the more languid Hathaway-style narrative of "Manikou" via the heavy freneticism of "Jam Session" and Vadim-esque French hip-hop licks of "One Nation", there's much more consistency than the album title suggests.

A hot and steamy funk jam on the A, a swooning samba with a hectic climax on the B: dynamically this is pretty much the perfect 45 as it ticks all funk dancefloor scenarios. Sonically it's just as sweet with widescreen production, fireside harmonies and pianos that could meander on for days and you'd never get bored. Previously rarer than unicorn knickers, this Underground Resurrection re-release comes our way the same week as the Second Resurrection 45. AOTN are clearly working on biblical form right now.

Cool Creations of St Maarten were formed in 1975 by Carlyle Barriteau, Funk Gumbs and Winston Macco. They were all in our last year of High School in St Maarten. The name "CoolCreations" was inspired by Kool and the Gang, one of their off Island influences. The band mainly played hotels, Local Dance Clubs and Carnival Parades and they recorded one LP. These two tracks were taken from that little know but much loved LP which was recorded in San Juan in Puerto Rico (no one can remember the name of the studio). "Wish Upon Love" is a Modern Soul Floater of the highest order that's been a favourite summer joint of mine for years and recently been getting spins by Four Tet and others. The flip is perfect for a Balearic sunset or deep warmup, this is a personal favourite, hope you love it as much as I do.