2019

A Bridge Between Lovers

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Following up on the 2017 debut EP 'Don't Get Me Wrong’, Dazion returns with his second release on Second Circle.On his latest EP; 'A Bridge Between Lovers’, we hear the Dutch multi -instrumentalist take even more unexpected swerves and turns in the form of fi ve new tracks recorded in his home studio in Den Haag. Setting himself loose from any musical confines, his process develops spontaneously; a Spanish guitar connects with an Indonesian wind instrument, wood sticks are channelled through a gritty sampler, while weird drum pattErns make their way out of Alesis HR 16-B and Yamaha computers. The results of these recordings are a fluid yet familiar Dazion sound; typically utilising electronic and organic sounds in his own distinctIve way. As with its predecessor, the tracks on ‘A Bridge Between Lovers’ are heavily rhythmically fuelled as well as rich in melody. Not least during another collaborati on with the Portugese vocalist Paulo on the alluring opening track ‘Eu Ñ ao Sei’, where Dazion again radiates what he himself calls, his "musical message of love to everyone".

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SC 013

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16.00
Tracklist: 

Side 1
1. Eu Nao Sei
2. Eberhardt Smurkface
3. Sake Boogie City
Side 2
1. Bond Of Souls
2. A Bridge Between Lovers
3. Dad Forgot The Dishes

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The Sound Of On Records 1987-1989

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The late 1980s in the rainbow nation was a time when disco was mutating into what was becoming known as Bubblegum: pop music aimed at the black population of South Africa.Bubblegum was a response to Western styles like disco and the fast spreading house music which originally came from the black ghettos of Chicago and New York. When the second Summer of Love took over the UK in 1988, first house, and other electronic music styles conquered South Africa as well. DIY - do it yourself - a motto that had already appeared in the punk movement, lifted the young local scene to the next level. With a minimal set up - keyboards, some drum machines and samplers it was suddenly possible to make music without having to rent expensive studios.

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EGOLI 002DISC3

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1
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18.00
Tracklist: 

Side 1
1. Whoosha - Mosquito
2. Whoosha - Nopaka
Side 2
1. Pamela Nkhuta - Gambling
2. Pamela Nkhuta - Ano Tambura (Suffering)

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The Sound Of On Records 1987-1989

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The late 1980s in the rainbow nation was a time when disco was mutating into what was becoming known as Bubblegum: pop music aimed at the black population of South Africa.Bubblegum was a response to Western styles like disco and the fast spreading house music which originally came from the black ghettos of Chicago and New York. When the second Summer of Love took over the UK in 1988, first house, and other electronic music styles conquered South Africa as well. DIY - do it yourself - a motto that had already appeared in the punk movement, lifted the young local scene to the next level. With a minimal set up - keyboards, some drum machines and samplers it was suddenly possible to make music without having to rent expensive studios.1 of 3 12" in a compilation of tracks from The ON label which was active in South Africa between 1987-1992, an era following the end of the apartheid regime and defining the new sound of Young Black South Africa in the early 90s

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EGOLI 002DISC2

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1
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18.00
Tracklist: 

Side 1
1. Roadblock
2. Roadblock (Taxi mix)
Side 2
1. Sbarara
2. Black Jack
3. Lalavuka

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Original
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The Sound Of On Records 1987-1989

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a propos: 
The late 1980s in the rainbow nation was a time when disco was mutating into what was becoming known as Bubblegum: pop music aimed at the black population of South Africa.Bubblegum was a response to Western styles like disco and the fast spreading house music which originally came from the black ghettos of Chicago and New York. When the second Summer of Love took over the UK in 1988, first house, and other electronic music styles conquered South Africa as well. DIY - do it yourself - a motto that had already appeared in the punk movement, lifted the young local scene to the next level. With a minimal set up - keyboards, some drum machines and samplers it was suddenly possible to make music without having to rent expensive studios.The Bees are probably the best known group, releasing only a few album in 1988-1989 and a handful singles that are now highly collectible. Their sound is electronic, hypnotic and highly danceable.As is the case for Themba Wawelela is a prolific South African artist/producer who is best known under the monniker ''Little Big Man''1 of 3 12" in a compilation of tracks from The ON label which was active in South Africa between 1987-1992, an era following the end of the apartheid regime and defining the new sound of Young Black South Africa in the early 90s

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EGOLI 002DISC1

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1
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18.00
Tracklist: 

Side 1
1. The Bees - Mjondolo
2. The Bees - She's A Witch
Side 2
1. Little Big Man - Don't Do It
2. Little Big Man - Leribe

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Dila

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Far Out Recordings proudly presents the first and only album from the mysterious Brazilian vocal sensation Dila (pronounced "Jee-la"). Having reportedly died in a car crash shortly after the album's release in 1971, there is very little known about the woman behind the voice. But the joyous music Dila left behind, gives us a picture as good as any, of a powerful feminine soul at the top of her game.The liner notes on the elusive original LP, written by composer Arnoldo Medeiros attest: "Friend, look out! Because when this girl starts to sing, you're in trouble. Hold the railing so you don't fall down the stairs, because she's coming this way and shaking up everything." Arranged and produced by Durval Ferreira, alongside his studio band affectionately known as "Os Grillos" (The Crickets), Dila (1971) is a rare glimpse into the authentic soulful Samba sound of Rio's favelas in the late sixties and early seventies.A blast of funky, percussive Brazilian breaks, scorching hot brass and swing-laden piano, the music is as iconic as the album's stark cover, as is clear on opener 'Inez', composed by The Crickets' bassist Romildo. There's a fantastic interpretation of the Ivan Lins classic 'Madalena' (made famous by Elis Regina), a moving version of the Tom Jobim and Vinicius De Moraes classic 'O Morro Não Tem Vez', and a number of sunny original compositions by Arnold Madeiros, who's other writing credits include music for Marcos Valle, Wanderlea, Evinha and Dom Salvador.With original LPs extremely hard to come by, this rare treasure of Brazilian soul, which fans of Gal Costa, Celia, Evinha and Elis Regina will love, gets a much-deserved official reissue: remastered and pressed to 180g vinyl.

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FORDIS 05

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1
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24.00
Tracklist: 

Side 1
1. Inez
2. Adeus Bomfim
3. Madelena
4. Fim De Papo
5. Saberas
6. O Morro Nao Tem Vez
Side 2
1. Como E Que E Bicho?
2. As Paredes Tem Ouvidos
3. Festa Para Um Rei Negro
4. Selecao De Mangueira
5. Perdoei
6. Refem Da Solidao

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Re-Issue
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Sempre

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BACK IN STOCK The original Rio beach boy returns with a new record of feel-good Brazilian music! Featuring Azymuth bassist Alex Malheiros (responsible for some of Brazil's all-time funkiest low-end licks), a horn section including Valle's go-to high-trumpeter Jesse Sadoc, and percussion master Armando Marcal, Sempre has all the masterful composition, exceptional musicality, and forward-thinking ideas you'd expect from the Brazilian titan.

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FARO 211LP

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1
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24.00
Tracklist: 

Side 1
1. Vou Amanha Saber
2. Minha Roma
3. Alma
Side 2
1. Olha Quem Ta Chegando
2. Odisseia
3. Sempre
4. Distancia

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Non
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Live At Nancy Jazz Pulsations 1973

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It was in 1973, on the 14th of October, late in the afternoon; on a pretty Sunday under the Big Top in the heart of the “Parc de la Pépinière”, in Nancy; it was the “premiere”, the world first hearing, and it has so far remained the only one commissioned by composer and trumpet player lvan Jullien, for the first international Nancy Jazz Pulsations festivalIn order to complete this work of composition and orchestration, Ivan asked the great Eddie Louiss on organ, and chose to do without a double bassist who would have been drowned in a telluric outburst, for the best drummers in Europe and beyond had accepted out of sympathy to offer their contribution to such a festival. The only melodist with Louiss was the English John Surman (born in 1944) here on soprano saxophone, discharging torrents of incandescent lava.Conversing with drums, cymbals, xylophones, kettledrums, vibraphones, tumbas, djembes and all other percussive things that you’ll like to imagine – a bunch of talents such as those of the French André Ceccarelli, Daniel Humair or Bernard Lubat, the New Yorker Stu Martin, who reminds of Paul Motian in his “breaks”, South African Louis Mo-Holo, young Lamont Hampton, the great trombonist “Slide” Hampton’s son and the Malagasy Franck Raholison, the Senegalese Lamine Konte.And we will scrupulously refrain from omitting the four musketeers, here representing percussion in classical music, namely the Percussion Quartet of Paris under the leadership of Mr. Lucien Lemaire.

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MMMTK 01

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24.00
Tracklist: 

Side 1
1. Stanislas Percussive Gavotte Part. 1
Side 2
1. Stanislas Percussive Gavotte Part. 2

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Chaos Theories

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The Souljazz Orchestra return with a brand new studio album for our troubled times, ‘Chaos Theories’, released on Strut on 13th September.Always known for their uncompromising social and political messages, the Canadian collective hit harder than ever on 9 new tracks, outing the hypocrisy of modern day politics, police brutality and the everyday struggle of the working man. Led by chief songwriter and arranger Pierre Chrètien, the band continue to evolve their sound, drawing on a broad palette from their trademark Latin, Afro and Caribbean styles to some of the UK’s political sounds of the early ‘80s, the era of The Clash, The Police, 2-Tone and frontline reggae. “We were basically messing around with the idea of creating our own brand of ‘Afro-punk’”, remembers Chrétien, “something with the aggressive, in-your-face energy of punk rock or free jazz, but still backed by the hypnotic, pulsating grooves of tropical music.”The album takes the listener from carefully targeted sonic missiles to more reflective thought-provoking moments. ‘Police The Police’ starts the offensive: “I wrote this after my neighbour was beaten to death by Ottawa police during an arrest,” explains Chrétien. “The authorities downplayed the incident and the officers were working the next day like nothing had happened.” ‘House Of Cards’ takes a thinly veiled swipe at the current US administration on an infectious disco groove: “lies within lies within lies… like so many Russian dolls”; ‘Boat Rockers’ challenges us all to look beyond accepted norms and ‘General Strike’ documents the frustrations of the working class as the pay gap gets increasingly wider; ‘Slumlord’ shines the spotlight on dodgy landlords while the brilliant closer ‘Well Runs Dry’ laments modern day living, with its confused pace and mundane obsessions, remembering simpler days gone by.Leading their field for 17 years, The Souljazz Orchestra have constantly moved forward and remain an in-demand live band worldwide. ‘Chaos Theories’ is their 9th album, is released on LP, CD, cassette and digital / streaming and is mastered by The Carvery. LP format comes as a special dark blue vinyl edition. The band tour Europe and Canada during September, October and November 2019.-Heavyweight music with a message from Canada’s leading soul / jazz / tropical collective-Includes the singles ‘House Of Cards’ and ‘Well Runs Dry’-Mastered and cut by The Carvery-Full European tour supporting album September – November 2019-1LP IN SINGLE SLEEVE, BLUE VINYL

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STRUT 208LP

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Tracklist: 

Side 1
1. Charlie Foxtrot
2. Police The Police
3. House Of Cards
4. Boat Rockers
5. Sky High
6. War Games
7. General Strike
8. Slumlord
9. Well Runs Dr

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Oui
Origine: 
Original
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The Four M Company

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FGSP 11

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Tracklist: 

Side 1
1. You're Not Functioning
2. Searching For The Truth
3. All My Love
Side 2
1. Live To Be Someone
2. Awaking (Rhythm Track)
3. Sugarfree

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Oui
Origine: 
Original
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Shimmy Shimmy Ya

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- Stand out single from the now classic “Enter The 37th Chamber” album, featuring reinterpretations of some of the most iconic Wu Tang materialBack in 2006 El Michels Affair began releasing a slew of brilliant covers of Wu-Tang classics on 7" as part of their acclaimed “Shaolin Series”, eventually leading to their full length project of wu-fueled interpretations - “Enter The 37th Chamber” on Fat Beats Records in 2009.Now available for the first time on 7" by popular demand, 2 more stand-out tracks from the LP - Shimmy Shimmy Ya b/w Incarcerated Scarfaces

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FB 7014

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Tracklist: 

Side 1
1. Shimmy Shimmy Ya
Side 2
1. Incarcerated Scarfaces

Second_hand: 
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Oui
Origine: 
Original
Newsletter: 
Non
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