2019

Tango Hustle

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Marrrtin is back on vinyl with some new and some unreleased tracks on vinyl before if don't know "Tango Hustle", you have to know it !!!Marrrtin took time to totally replay it , cause it's one of his favourite funk track EVER !!!!!on B side 2 two bboys tracks never released on vinylVinyl is black 250 ex

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ST 014

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8.00
Tracklist: 

Side 1
1. Tango Hustle
Side 2
1. Arash1
2. Kills

Second_hand: 
Non
Forthcoming: 
Non
Origine: 
Original
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Non
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Ethio Jazz Groove Project

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Limited edition Orange vinyl 100 exThe Selenites Band is a musical collective led by Obi Riddim aka Antoine Laloux. The band is playing mostly Ethio Jazz, a popular Ethiopian music trend, famous from the 50’s until the 70’s in Ethiopia. During this Golden Age famous musicians such as Mulatu Astatke, Girma Béyéné, Mahmoud Ahmed, Getatchew Mekurya dominated the musical scene.The Selenites Band is paying a tribute to those Masters by playing their major pieces, and through their own creative work inspired by the Spirit of this time. Modal Jazz, pentatonic melodies, free improvisation are expressed and magnified through the original vintage sound, mixing of woodwind instrument, psychedelic guitars -which remains Krautrock movement- and a drums section that seems to have stepped out of a Blaxploitation movie.The Selenites Band is blowing a heat wave from the Grand Rift Valley to reach a powerful tectonic force, deeper than a sand storm, magic as a transe under the moon, vibrant as a tropical party fever in some Addis Abeba Club back in the Old days.After releasing their first Ep ( A=Face visible ) in 2019 with Sandal Label , The french label Stereophonk put out 6 recorded live tracks which consist of classic Ethiopian tracks composed by Mulatu Astatke et Girma Beyene . Some of them have been made famous internationally being sampled by popular artists like Damian Marley, Nas, Jay Z … who helped the recognizing of this regional culture and gift .On this record, the band is pushing in front his raw sound that we can hear on stage, crazy desert sound that brings you to travelling and explorations album preview : soundcloud.com/stereophonk-1/the-selenites-band-vinyl-preview-ethio-jazz

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ST 015

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23.00
Tracklist: 

Side 1
1. Yekatit
2. Muzikawi Silt
3. Yekermo Sew
Side 2
1. Antchim Endelela
2. Yegele Tezeta
3. Apollo IX

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Non
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Non
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Original
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Don't Send Me Away

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A multi genre-busting release that has transcended most dance scenes from Modern Soul, Rare Groove, Crossover and Boogie to become perhaps the most in-demand '80s record on the current collectors scene, Finally released on 7 inch.The popularity of "Don't Send Me Away" was recently confirmed when a YouTube clip of Garfield himself, performing "Don't Send Me Away" at a Paris record stall in late 2018, went viral with over 2,000,000 views to date.Pressed on 7 Inch vinyl with a punched centre in a generic sleeve.

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BKA 457

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15.00
Tracklist: 

Side 1
1. Don't Send Me Away
Side 2
1. You Got Dat Right

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Non
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Non
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Re-Issue
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Non
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Funky Boogie

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Spaziale Recordings is born. Setting their sights on reissuing highly sought-after, obscure records, alongside providing fresh new interpretations of these classic gems, they kick things off with a bang. Presenting an official remastered limited edition reissue of a classic cosmic disco 12”, featuring extended disco versions of three superb Afro and Latin-flavoured tracks taken from John Ozila’s 1979 killer funk album ‘Boogie Salsa’.Released on French label Disques Vogue, the A side offers the highly infectious afro groove of ‘Funky Boogie’, treasured by the likes of Horse Meat Disco, Dekmantel Soundsystem and Jack J. Previously a fiercely-guarded record collectors’ secret, the flip houses two great afro-cosmic, obsure disco versions of “Let’s Go Boogie” and “L’Orange Bleue” previously only available as album versions on the “Boogie Salsa” LP. Now fully remastered and cut loud and proud to 12 inch for maximum audio pleasure.12 Inch Picture Sleeve in Shrinkwrap

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SPZ 001

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21.00
Tracklist: 

Side 1
1. Funky Boogie (Disco version)
Side 2
1. Let's Go Boogie (Disco version)
2. L'orange Bleue (Disco version)

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Non
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Original
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Sickla Side Push Shuffle

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Opolopo’s impressive musical career spans over more than two decades, covering the spectrum of Funk, Soul and House. With releases on prestigious labels such as Om, Tru Thoughts, Local Talk, Z Records, Especial, and a DJ diary spanning destinations from London to Tokyo, he has the perfect musical pedigree to create the very best, blissed-out, beats.Toolroom are proud to present three brand new exclusive productions from Opolopo; ‘Sickla Side Push Shuffle’, Groovitational Waves’ and ’Aqua Lung’, all of which showcase his unique, signature sound taking you on an astute musical journey with interesting harmonic melodies and plenty of groove.

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TOOL 807

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14.00
Tracklist: 

Side 1
1. Sickla Side Push Shuffle
Side 2
1. Aqua Lung
2. Groovitational Waves

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Non
Origine: 
Original
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Space Garage (remastered)

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Intoxicating and scorching electro-space rock by Mystic Jungle and Rico Milord. Limited reissue edition on 12" with an additional special extended version.

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PRD 1015

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15.00
Tracklist: 

Side 1
1. Space Garage (extended Venom mix)
Side 2
1. Space Garage
2. Space Garage (Eclipse version)

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Re-Issue
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Hesperia Soul (remixes)

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Jovonn's Body N'Deep label continues to deliver the goods, this time revisiting the 'Hesperia Soul' release from the 'Timeless' album. We see Karizma, Sean McCabe and David Anthony add their unique twists on this future classic.

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BND 006

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13.00
Tracklist: 

Side 1
1. Hesperia Soul (Kaytronik Violince dub)
2. Hesperia Soul (Kaytronik Violince Beat dub)
Side 2
1. Hesperia Soul (Sean McCabe remix)
2. Hesperia Soul (David Anthony Afrohouse remix)

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Non
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Original
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Non
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Crash Test

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Sauce Combo is a powerful and dynamic jazz trio lead by Marcjean, saxophonist from Bestown (Besançon), sided by the mercenary drummer Tom Moretti and the melodious Victor Pierrel on bass. The trio's music takes place in the modern jazz renewing coming especially from England and the USA. France has now a champion.Inspirated by vintage african and west indies jazz, 70's jazz funk and fusion but also 90's drum & bass, broken beat and hip hop, the repertoire is a rich jazz bomb exploding to the ears. Each second brings its his new colorful burst to admire. The band's brilliant game makes it a living listening experience. The music is rich and versatile but cohesive and united. Why?Crash Test came to light in one day during a single 7 hours recording session at the Honey For Bear laboratories. Arnaud Bataillard, the sound's engineer, wanted to try several new tubes and audio gears added in his studio set up. The trio went to test it in a crash test session. All the recordings could have been compromise somewhere but... What was before planned as a try ended into a fantastic album. The mental disposition, while playing when you know that all can be lost in a minute, gave the musicians the proper dimension to express their feelings in a total freedom. They were playing for pleasure and without any pressure. It was for all, but it could have been also for nothing. And we can literally feel that.This unique record had to be release as soon as possible to transmit the freshness of this beautiful impact to the listeners. Above all, Clément Laurentin's "Equilibre Précaire VI" achieves this album, offering a painting with four figures at the edge of the fall, in a constant imbalance, playing with time and gravity. It's the perfect allegory for the three band's members plus the engineer while making this record.

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MBLP 06

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15.00
Tracklist: 

Side 1
1. Carpe Dilemme
2. Entre Deux Eaux
Side 2
1. Disposer
2. Exocet
3. Gran Tomobil

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Original
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Treasure #3

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TREASURE003

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10.00
Tracklist: 

Side 1
1. Journey (GB version)
2. Journey (GB Instrumental)
Side 2
1. What About (Rodamix Version)
2. What About (Rodamix Instrumental)

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Original
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Oriental Jazz

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Born in 1938, and raised in Glendale, California, Lloyd Miller has had one of the most unusual careers in all of jazz. By age 12 he had declared an intent to make his living as a jazz musician, and by high school he had already begun to experiment, shunning swing music's mechanical perfection, and chafing at his parents’ desire for him to nurture his talents with formal training. This tumultous relationship with his parents would eventually lead to a stint in a psychatric hospital, before reuniting with them in moving to Iran, his father having accepted a job working for the Shah. Stops in Hong Kong, Japan and Pakistan on the way to Iran deepened Miller's connection to other cultures he’d first felt while listening to old world music compilations. He felt a definite calm and peace, an immense respect from everyone towards everyone else, and immersed himself in other cultures and languages immediately. Miller spent a year in Iran with his family, picking up Farsi after a few short months, and steadily gaining more and more of an appreciation for how deep the roots of Persian art run. However, still committed to his decision forge a career in jazz, Lloyd left Tehran in 1958 to head to Europe to see if he could make a living from jazz music. Miller kicked around the continent, first in Germany, then in Switzerland, Sweden and Brussels. He collaborated and performed alongside 60s jazz legend Jef Gilson, and experimented with exotic instrumentation before returning to America to resume his studies at Brigham Young University in Utah. In the years following his stint with Gilson, Miller had become more and more disillusioned with both modern music and modern society, which had ashewed jazz for rock music, which he detested. In Miller’s conception, for a music to have value it had to have a deep connection to a tradition, specifically connecting jazz to African lore. To Miller, something like “Tuareg African music is blues, just with no chord changes.” Oriental Jazz was recorded, compiled and self-released in 1968 while Miller was studying at Brigham Young. The record, originally pressed in a quantity of 300 copies, sought to combine a cool, modal style with the exotic arrays of instruments and styles that Miller had picked up during his travels. Miller included songs he’d cut with Gilson in his Parisian studio years before, and a solo piano piece that he recorded in one of the school’s practice rooms. Despite Lloyd’s professed aversion to modernity, there nevertheless is something strikingly new sounding about this music, which fits together in startling juxtapositions. Traces of Bill Evans, Stan Getz and Jimmy Giuffre rub shoulders with Persian santur, Arab oud and Turkish saz music. Copies of Oriental Jazz languished in Miller's home for years after numerous failed bids for record contracts, before finally ending up in the hands of record collectors decades later. After its release however, he would find a second life after returning to Iran, doing field recordings, and eventually hosting a weekly television show that programmed both American jazz and the best traditional Persian musicians he could find. It was not to last however, as he abruptly abandoned the country to return to the US in the late 1970s, predicting the arrival of the Islamic Revolution.

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NA 5183LP

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35.00
Tracklist: 

Side 1
1. Gol-E Gandom
2. Njonja Mirah & Yona
3. Tanya
4. Guzel Gozler Or Amber Eyes
5. Natanie
Side 2
1. Hue Wail
2. Njonja Mirah & Yona (Second version)
3. Impression Of Bhairava Raga
4. Prelude To The Iranian Mode Shur
5. Pentalogic
6. Sahar-E Meh-Alude Or Early Morning Mist

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Non
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Non
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Re-Issue
Newsletter: 
Non
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