2019

Play With Me/In Action

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Athens of the North is back on the boogie tip with top Miami rarity MYTH. Recorded and mixed in Fort Lauderdale in 85 both the original 12s are pretty rare and both strong. We decided as it had never been on 45 and suits the format to d a little AOTN magic so here we are. you know what to do.

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ATH 080

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15.00
Tracklist: 

Side 1
1. Play With Me
Side 2
1. In Action

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Non
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Non
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Re-Issue
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Non
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Colour Yes (Special Edition)

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Both albums to be released simultaneously on November 8€“ 2LP/ CD / DL Remixed and remastered with bonus material and released on vinyl for the first time.Deluxe 2LP editions with artwork re-imagined by Ian Anderson of The Designers Republic."If I could watch any jazz band in the UK, any, I would choose Matthew Halsall's band, just love what he's been doing over the last few years... It's always high level, spiritual jazz music" Gilles Peterson BBC Radio 1Matthew Halsall (born September 11, 1983, in Manchester, England) is a Worldwide Award winning and MOBO nominated trumpeter, composer, producer and DJ. Since 2008, Matthew has released seven critically acclaimed studio recordings and has been a key figure in the rise of a new jazz sound in the UK. In addition to his own releases Halsall has collaborated with many DJs and producers, most notably DJ Shadow and Mr. Scruff, and in 2013 Matthew's music was selected by Bonobo for his Late Night Tales compilation. Halsall is also the founder of Gondwana Records, a genre bending independent record label featuring a wealth defining albums by the likes of Portico Quartet, GoGo Penguin, Hania Rani and Mammal Hands. His own rich music draws on the spiritual-jazz of Alice Coltrane and Phaorah Sanders, contemporary electronica and dance music alongside his travels in Japan, the traditional art and music of which, has left a lasting impression on his compositions.Sending My Love (2008) and Colour Yes (2009) were his first releases and document Halsall's first great bands featuring the likes of flautist Chip Wickham, saxophonist Nat Birchall, harpist Rachael Gladwin, bassist Gavin Barras and drummer Gaz Hughes. Joyful, life-enhancing albums, drawing on UK jazz and spiritual jazz influences but with a decidedly modern bounce, they introduced Halsall's music to the world gathering support from the likes of Gilles Peterson and Jamie Cullum, Mojo, Straight No Chaser and beyond. But Halsall was never completely happy with how the records were presented and as part of Gondwana Records 10th anniversary decided to revisit the recordings, meticulously remixing and remastering them for vinyl and commissioning new artwork from Ian Anderson, one of his favourite designers. These then are the definitive editions of the records. Sending My Love comes complete with the beautiful bonus track This Time, while Colour Yes features the equally striking It's What We Do and Ai."I am very proud of these early recordings. They represent the starting point of my musical journey in Manchester and showcase some of the cities finest musicians such as: Nat Birchall, Chip Wickham, Rachael Gladwin, Adam Fairhall, Gavin Barras and Gaz Hughes. They are also the very first recordings my brother and I decided to release on our record label (Gondwana Records). Listening back they sound full of energy and joy and really reflect how I was feeling at that precise moment. But as much as I loved the music, I was never 100 percent happy with the sound of the mixes and mastering. So I decided to go back to the original tapes to remix and remaster them and present them the way I'd always wanted, and along the way we unearthed a couple extra unreleased tracks, which we decided to include as bonus material. Myself and my brother also decided to bring in Ian Anderson of The Designers Republic to re-imagine the artwork and we are super blown away by the results!" Matthew Halsall, Oct 2019

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GONDLP 003SE

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Tracklist: 

Side 1
1. Colour Yes
2. Together
Side 2
1. I've Found Joy
2. Mudita
3. Me & You
Side 3
1. I've Been Here Before
Side 4
1. It's What We Do (bonus track)
2. Ai (bonus track)

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Oui
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Re-Issue
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Non
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Chinal Ka 1973-1995

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HS 200VL

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1
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26.00
Tracklist: 

Side 1
1. Guadeloupe Ile De Mes Amour
2. Joue Zizipan
3. Decere Nou De Maye
4. Kominike
Side 2
1. Lheureux Noir
2. Jean Line La Clere
3. Donatien
Side 3
1. Lundi Bon Matin
2. De Ti Mo Pawol Cweol
3. De Chate Cole
4. Roger A Di Wha Wha
Side 4
1. Embawgo
2. Jan Pol Rabal Koto
3. A Koz Don Biye
4. Zombie Dance
5. Wolemin Oupwi

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Non
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Non
Origine: 
Original
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Non
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Tomorrow Is My Turn

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Uptight, c’est la réunion en 2013 de 7 musiciens addicts à la scène dont le son navigue entre Soul Music et Heavy-Funk.Le groupe s’est forgé une solide expérience scénique et une véritable identité artistique au fil de nombreux concerts et festivals (le New Morning, le Point Ephémère, le Divan du Monde, Enghien Jazz festival, the Motor and Soul...).En 2015, Uptight enregistre un premier L.P en auto production intitulé « Soul Kitchen » suivi en 2017 d’un E.P 3 titres éponyme " UPTIGHT ".Aujourd’hui le groupe part enregistrer dans le prestigieux studio « Black Box » afin de produire un nouvel Ep au futur son très prometteur…

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1
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6.00
Tracklist: 

Side 1
1. Happiness
2. Sorry
3. One Dance In Your Arms
4. Tomorrow Is My Turn

Second_hand: 
Non
Forthcoming: 
Non
Origine: 
Original
Newsletter: 
Non
Partager: 

Tomorrow Is My Turn

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Uptight, c’est la réunion en 2013 de 7 musiciens addicts à la scène dont le son navigue entre Soul Music et Heavy-Funk.Le groupe s’est forgé une solide expérience scénique et une véritable identité artistique au fil de nombreux concerts et festivals (le New Morning, le Point Ephémère, le Divan du Monde, Enghien Jazz festival, the Motor and Soul...).En 2015, Uptight enregistre un premier L.P en auto production intitulé « Soul Kitchen » suivi en 2017 d’un E.P 3 titres éponyme " UPTIGHT ".Aujourd’hui le groupe part enregistrer dans le prestigieux studio « Black Box » afin de produire un nouvel Ep au futur son très prometteur…

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1
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10.00
Tracklist: 

Side 1
1. Happiness
2. Sorry
Side 2
1. One Dance In Your Arms
2. Tomorrow Is My Turn

Second_hand: 
Non
Forthcoming: 
Non
Origine: 
Original
Newsletter: 
Non
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Ogooué

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Since the early 80's, Gabonese musician François N'Gwa has been jamming with instruments, synthesizers and, later on, production software exploring multiple music aesthetics from his Paris based home studio.Over the years, N'Gwa has written and produced incredible and timeless music, melting together his African music heritage with his favorite influences.New French label Into The Deep Treasury is delighted to present Ogooué as a tribute to N'Gwa's homeland, compiling some of his finest pieces, carefully restored and remastered, pressed on 180g vinyl in a hand painted cover artwork for the most enjoyable listening experience possible.

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ITDT 01

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1
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26.00
Tracklist: 

Side 1
1. N'Kang
2. N'dzegho
3. Monguissono
4. N'Gondjet
Side 2
1. N'Kene
2. Idiengue
3. Trance
4. Eliwa

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Non
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Non
Origine: 
Original
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Non
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I Can't Get Along Without You

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Kalita are proud to announce the first ever official reissue of the holy grail of disco 12” singles, Vance and Suzzanne’s ‘I Can’t Get Along Without You’. A record that deserves its space on the shelf of every collector, DJ and dance music connoisseur, and with original copies now regularly fetching triple figures, it’s time to share this masterpiece with the world once more. In addition, here Kalita accompany the release with a never-before-seen press photo and interview-based liner notes. Originally privately released in 1980 on Vanton Records, this is the first time that both the record and the label’s story has been told. The product of two members of Crown Heights Affair (Richard Vance Turner and Eleton Johns), the label was established as a way to protect both their musical freedom and copyright that they would have lost had they signed to a major label. With Vanton, they sought to create a sound that combined Eleton’s love for Philadelphia with Richard’s love for New York-based productions. Vance & Suzzanne consisted of Richard and his childhood friend and fellow band member Suzzanne Slaughter, who was a background singer for many bands in New York including Sister Sledge. The result of a late night writing session between Richard and Eleton and recorded to tape the following day, the record was finished in just twenty-four hours. Yet it’s legacy lives on as one of the most sought-after disco singles in existence. Two thousand copies of ‘I Can’t Get Along Without You’ were originally pressed to test the market, with the initial plan being to re-record it again at a later date with additional strings. However, the record received such great acclaim by DJs such as Larry Levan that the idea of a re-recording was put on ice. Sadly, due to academic and familial commitments of both Richard and Eleton, only one other single was ever released on Vanton Records in 1985. However, we hope that this definitive reissue helps to celebrate one of the best disco records ever put to wax.- The first ever official release of this highly sought-after US 12” disco grail- Accompanied by extensive interview-based liner notes and never-before-seen photos

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KALITA 12011

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20.00
Tracklist: 

Side 1
1. I Can't Get Along Without You
Side 2
1. I Can't Get Along Without You (instrumental)

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Seriously Deep

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The rediscovery of the music of David Axelrod in the 1990s was a revelation to the scores of hip-hop and breakbeat DJs that sampled him, but his composition genius was on display as early as the 1960s. After producing and arranging major critical and commercial hits for Lou Rawls, The Electric Prunes, David McCallum, and Julian "Cannonball" Adderley, he was encouraged by Capitol Records to record and produce solo material. Coming right on the heels of The Beatles' revolutionary 1967 album Sgt. Pepper's Lonely Heart's Club Band, Axelrod would produce a slew of instrumental baroque pop records, which were intricately orchestrated, fused elements of jazz, psychedelic rock, chamber music, and neo-classical, and tackled issues of mental enlightenment, environmental impact, and would be hailed by critics as highly ambitious pieces of conceptual art. The albums Song Of Innocence (1968), Songs Of Experience (1969), and Earth Rot (1970) are most often hailed as David Axelrod's finest moments, but little is mentioned of the producer's 1970s material. Among these records is Seriously Deep, his lone album recorded for Polydor, and an unheralded gem of jazz-rock fusion. On Seriously Deep, Axelrod dispenses with the heavily orchestrated measures of previous works to conduct a powerhouse crew of session musicians, including Leon Ndugu Chancler of Santana on drums, Mailto Correa on percussion, Jim Hughart on bass, Joe Sample on electric keys, and many others, with production from frequent Axelrod collaborators Cannonball Adderley and Jimmy Bowen. Seriously Deep is an obscure release, but also one of David Axlerod's tightest, and most exploratory ones. Across six tracks, Axelrod and his collective of players dip in and out of bounding jazz-funk, Afro-Latin grooves, cinematic flourishes, psychedelic synth washes, and blaring big band horns. It's a singularly insular curiosity of musical impressionism that's equal parts brooding and joyous, a definitive part of Axelrod's discography, and a well of sample material for tracks by Mobb Deep, Large Professor, The Black Eyed Peas, and Beanie Siegel, among others.

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GET 54100LP

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36.00
Tracklist: 

Side 1
1. Miles Away
2. One
3. 1000 Rads
Side 2
1. Ken Russell
2. Go For It
3. Reverie

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Non
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Earth Rot

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Earth Rot is visionary composer/arranger/producer David Axelrod’s third album, and the last of his Capitol trilogy. Recorded as a concept album about the decrepit state of the environment in 1970 Los Angeles, and scheduled for release on the first Earth Day, it features choral vocals and marks a departure for Axelrod’s signature sound, which would take on a jazzier feel in the 1970s. This definitive version of Earth Rot, overseen by Now-Again’s Eothen Alapatt in conjunction with Axelrod’s estate is an audiophile reissue, with the vocal version lacquered directly from Axelrod’s original master tapes at Capitol Records by Ron McMaster. The master was approved by Axelrod’s son Michael, who adapted ancient lyrics for the album in one of three collaborative projects he did with his father.Contains a 28 page booklet that delves into Axelrod’s incredible life and music, replete with never before published photos and an interview. “There are very few people who see the Grand Picture of the Universe and understand the Nothingness that it all comes from. There are even fewer who can express these ideas through music - David could do it all.” – T-RayCOMES PACKAGED IN A GATEFOLD JACKET WITH A 28-PAGE BOOKLET!

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NA 5186

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33.00
Tracklist: 

Side 1
1. The Warnings (part I)
2. The Warnings (part II)
3. The Warnings (part III)
4. The Warnings (part IV)
Side 2
1. The Signs (part I)
2. The Signs (part II)
3. The Signs (part III)

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Non
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Re-Issue
Newsletter: 
Non
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Si Voce Pensa/Birimbao

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Matasuna Records is thrilled to reissue another musical jewel from Peru on vinyl for the first time. The songs were recorded by the band Bossa 70 and released on a 7inch EP and the self-titled album in 1970. Both are much sought-after collector's items and impossible to find. The songs were transferred from the original master tapes and got a new mastering.Nilo Espinoza Vascones or better known under his artist name Nilo Espinosa is without doubt a Peruvian saxophone and flute legend. After a classical musical education he entered the music scene in the early 1960s. In 1966 he founded the band Los Hilton's with some of the best Peruvian musicians including the gifted piano player Otto de Rojas. In 1967 they recorded the first and only LP of the group, which was released in a small edition in Peru.Their concerts were more and more influenced by Jazz and Bossa Nova, so in 1968 they changed the band's name to Bossa 70. In the record label's office Nilo met the Afro-Peruvian Carmen Rosa Basurco, who also loved Bossa Nova and could sing in Portuguese and English. From then on she was the main singer of the band.Bossa 70 recorded four songs for a 7-inch EP in an edition of only 100 copies, which was given away for promotional purposes at concerts and to friends & family. In 1970 they recorded their self-titled LP which reflected a mixture of Bossa Nova, Latin Jazz and Funk. The label pressed only 300 copies, which were sold out very quickly. This LP was the band's only album and is a rare piece of Peruvian music history.Si Voce Pensa on the A-side is a great cover version of the same named song by famous Brazilian musician Roberto Carlos from 1968. Bossa 70 adapted the song for the dancefloor, which is driven by an uplifting rhythm and the expressive voice of the singer. Of course, the great interplay of the other musicians must not go unmentioned. A fantastic track that will heat up everywhere!Birimbao on the flipside is another fantastic Brazilian cover version. The song was written in the 1960s by Baden Powell, one of the most important Brazilian guitarists and one of the pioneers of Bossa Nova. Bossa 70 set their own stamp with a new instrumentation with brass, wah wah guitars, piano, flute parts and trumpet solos. The percussion section is also a brilliant backup for this one. Another winner!

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MSR 014

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1
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15.00
Tracklist: 

Side 1
1. Si Voce Pensa
Side 2
1. Birimbao

Second_hand: 
Non
Forthcoming: 
Non
Origine: 
Original
Newsletter: 
Non
Partager: 

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